{"id":15081,"date":"2023-11-27T14:45:59","date_gmt":"2023-11-27T13:45:59","guid":{"rendered":"https:\/\/cappellamediterranea.com\/nos-projets\/cappella-mediterranea-at-the-teatro-colon\/"},"modified":"2026-04-30T17:12:32","modified_gmt":"2026-04-30T15:12:32","slug":"cappella-mediterranea-at-the-teatro-colon","status":"publish","type":"post-nos-projets","link":"https:\/\/cappellamediterranea.com\/en\/nos-projets\/cappella-mediterranea-at-the-teatro-colon\/","title":{"rendered":"Cappella Mediterranea at the Teatro Col\u00f3n"},"content":{"rendered":"\n
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\u00a9Anita Pouchard Serra<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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On 27 November 2023, six years after their major tour in South America, Cappella Mediterranea returned to the Teatro Col\u00f3n in Buenos Aires<\/strong> with Monteverdi\u2019s The Seven Deadly Sins<\/em>, having just performed the same concert at the Berliner Philharmonie! <\/p>\n\n\n\n

A trip that had been in the planning stages for some time, thanks to a support committee<\/strong> and numerous institutional contacts. All the conditions were in place for a sell-out show. The concert was a success, met with a long standing ovation. The trip included three receptions, hosted by patrons and at the French Embassy, as well as a private tour of the MACBA museum for the artists and a masterclass by Leonardo-Garc\u00eda Alarc\u00f3n at Juventus Lyrica. <\/p>\n\n\n\n

Mariana Flores, soprano
Coline Dutilleul,<\/strong> mezzo-soprano<\/em>
Christopher Lowrey,<\/strong> countertenor
<\/em>Valerio Contaldo,<\/strong> tenor<\/em>
Matthew Newlin,<\/strong> tenor<\/em>
Andreas Wolf,<\/strong> bass<\/em>
Leonardo Garc\u00eda-Alarc\u00f3n,<\/strong> musical direction<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u201cIt will be hard to forget what we experienced at this concert. […] Leonardo Garc\u00eda Alarc\u00f3n\u2019s interpretative innovations are highly compelling; he has succeeded in bringing the repertoire out of a sometimes hackneyed niche, and he has done so with a vitality that is as intense as it is refreshing. This extraordinary laboratory of human emotions in Monteverdi\u2019s work is heard as if newly composed in the hands of the conductor and the magnificent musicians of Cappella Mediterranea\u201d<\/p>\n

Laura Novoa<\/p>\n <\/div>\n

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\u201cThe performances [by the six singers] were delivered with absolute conviction and exemplary singing. […] Everything was handled, one might say, with extreme precision and great clarity in the musical values.”<\/p>\n

N\u00e9stor Echevarr\u00eda<\/p>\n <\/div>\n

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\u201cThe result is an absolutely magnificent musical experience, brimming with excellence and virtuosity. An evening conducted by the renowned maestro Leonardo Garc\u00eda-Alarc\u00f3n, who, together with his ensemble Cappella Mediterranea, made the Teatro Col\u00f3n shine as it hasn\u2019t done for a long time.\u201d<\/p>\n

Sosa Battaglia<\/p>\n <\/div>\n

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\u201cCappella Mediterr\u00e1nea not only filled the Col\u00f3n, but also received one of the most resounding ovations, worthy of the great evenings in the theatre\u2019s history. [\u2026] Twelve formidable instrumentalists who are equally brilliant soloists and excellent ensemble players. It is therefore no surprise that the sound was one of the most beautiful we have heard in a very long time.\u201d<\/p>\n

Donato Decina<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n

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Partners<\/h2>\n

The concert on 27 November 2023 at the Teatro Col\u00f3n in Buenos Aires is made possible thanks to the Support Committee:<\/p>\n

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Documents<\/h2>\n

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\n \n 2023 Cappella Mediterranea_Teatro Colo\u0301n<\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n<\/section>\n\n\n
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THE SUPPORT COMMITTEE FOR THE CONCERT AT THE TEATRO COL\u00d3N<\/h2>\n

Presided over by Teresa Bulgheroni, Anne Geisendorf and Pilar de la B\u00e9raudi\u00e8re<\/em><\/p>\n<\/p>\n <\/section><\/div>\n\n\n\n

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Cyril Abecassis<\/p> <\/div>\n

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Amyn Aga Khan<\/p> <\/div>\n

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Maria Cecilia Aliprandi<\/p> <\/div>\n

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Philippe & Catarina Amon<\/p> <\/div>\n

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Laetitia d\u2019Arenberg<\/p> <\/div>\n

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Patricia d\u2019Arenberg<\/p> <\/div>\n

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Luc Argand<\/p> <\/div>\n

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Frederic Armand-Delille<\/p> <\/div>\n

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Ronald Asmar & Romain Jordan<\/p> <\/div>\n

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Jacques-Louis de la B\u00e9raudi\u00e8re<\/p> <\/div>\n

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Marc de la B\u00e9raudi\u00e8re<\/p> <\/div>\n

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Jasmine de Boccard & Federico Vetterli<\/p> <\/div>\n

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Arielle Borne<\/p> <\/div>\n

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Sebastian & Lavinia Botana de Beauvau<\/p> <\/div>\n

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Ana Maria de la Bruy\u00e8re<\/p> <\/div>\n

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Andres Cabezas & Iuliia Parkhomenko<\/p> <\/div>\n

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Isabelle Carcano<\/p> <\/div>\n

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Josefina de Cardenas de Cahen d\u2019Anvers<\/p> <\/div>\n

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Jean de Cloedt<\/p> <\/div>\n

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Carla Comelli<\/p> <\/div>\n

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Viviana Corcuera<\/p> <\/div>\n

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Laurent Dassault<\/p> <\/div>\n

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Guyonne Delecourt<\/p> <\/div>\n

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Franck Donnersberg<\/p> <\/div>\n

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Christine Favez Ritter<\/p> <\/div>\n <\/div>\n <\/div>\n

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Eric Forissier<\/p> <\/div>\n

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Caroline Freymond<\/p> <\/div>\n

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Fran\u00e7ois & B\u00e9atrice de Ganay<\/p> <\/div>\n

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Pierre & Laura de Ganay<\/p> <\/div>\n

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S\u00e9bastien de Ganay<\/p> <\/div>\n

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Serge & Lorraine de Ganay<\/p> <\/div>\n

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Sarita Gainza<\/p> <\/div>\n

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Pierre Genecand<\/p> <\/div>\n

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Leonard Gianadda<\/p> <\/div>\n

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Rossella de la Giovampaola<\/p> <\/div>\n

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Fran\u00e7oise & Jacques Haeberlin<\/p> <\/div>\n

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Jean-Philippe & Brigitte Hottinguer<\/p> <\/div>\n

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Marie-H\u00e9l\u00e8ne Jeandin<\/p> <\/div>\n

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Ishtar Kettaneh Mejanez<\/p> <\/div>\n

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Karoline Knoth & Mo\u00efse Mayo<\/p> <\/div>\n

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Ana Mar\u00eda de La Bruy\u00e8re<\/p> <\/div>\n

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Marie-Sol de La Tour d\u2019Auvergne<\/p> <\/div>\n

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Archibaldo Lan\u00fas<\/p> <\/div>\n

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Irene Lawson de Bausili<\/p> <\/div>\n

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Charles-Henri Lehideux<\/p> <\/div>\n

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Bernadette Lejeune<\/p> <\/div>\n

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Gwendoline Levie-Ffoulke Bemberg<\/p> <\/div>\n

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Federico Lucini<\/p> <\/div>\n

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Emmanuel et Laurie Marty de Cambiaire<\/p> <\/div>\n

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Catherine Meyer Firmenich<\/p> <\/div>\n <\/div>\n <\/div>\n

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Juan Pablo & Pilar Molyneux<\/p> <\/div>\n

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Fran\u00e7ois B\u00e9nigne de Montalembert<\/p> <\/div>\n

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Philippine de Montalembert<\/p> <\/div>\n

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Christina Oiticica<\/p> <\/div>\n

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Luis Palacios<\/p> <\/div>\n

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Frederica Palacios Erhart del Campo<\/p> <\/div>\n

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Stanislas & Leticia Poniatowski<\/p> <\/div>\n

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Virginia Rault Oederlin<\/p> <\/div>\n

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Helena Revoredo<\/p> <\/div>\n

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Fran\u00e7ois Reyl<\/p> <\/div>\n

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Caroline-Denyse Rilliet<\/p> <\/div>\n

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Raimundo Rio<\/p> <\/div>\n

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Jean-Remy & Anne-Christine Roussel<\/p> <\/div>\n

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Federico Spinola<\/p> <\/div>\n

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Daniel Thierry<\/p> <\/div>\n

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Frances Josefina Tow<\/p> <\/div>\n

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Marianne Vogel<\/p> <\/div>\n

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Alexander et Mirja von der Pahlen<\/p> <\/div>\n

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Hans et Susanne von Meiss<\/p> <\/div>\n

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Leonor Constanza von Niederh\u00e4usern<\/p> <\/div>\n

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V\u00e9ronique Walter-Gallay<\/p> <\/div>\n

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Sofia Weil de Spironi<\/p> <\/div>\n

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Christoph Werner<\/p> <\/div>\n

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Alix & Juan Zorraquin<\/p> <\/div>\n

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Et les nombreux donateurs qui souhaitent conserver l\u2019anonymat.<\/p> <\/div>\n <\/div>\n <\/div>\n <\/section>\n<\/div>\n\n\n\n

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<\/div>\n <\/div>\n \n Monteverdi, I 7 Peccati Capitali \u2013 Les 7 P\u00e9ch\u00e9s capitaux <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n\n\n\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"On 27 November 2023, Cappella Mediterranea returned to the Teatro Col\u00f3n in Buenos Aires with Monteverdi\u2019s The Seven Deadly Sins! A journey that had been a long time in the making, thanks to a very active support committee and numerous institutional contacts. ","protected":false},"featured_media":14660,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"class_list":["post-15081","post-nos-projets","type-post-nos-projets","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-nos-projets\/15081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-nos-projets"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-nos-projets"}],"version-history":[{"count":2,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-nos-projets\/15081\/revisions"}],"predecessor-version":[{"id":15085,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-nos-projets\/15081\/revisions\/15085"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/14660"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=15081"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=15081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}