{"id":9305,"date":"2014-03-31T15:03:05","date_gmt":"2014-03-31T13:03:05","guid":{"rendered":"https:\/\/cappellamediterranea.com\/post-discographie\/zamponi-ulisse-allisola-di-circe\/"},"modified":"2023-12-10T15:35:20","modified_gmt":"2023-12-10T14:35:20","slug":"zamponi-ulisse-allisola-di-circe","status":"publish","type":"post-discographie","link":"https:\/\/cappellamediterranea.com\/en\/post-discographie\/zamponi-ulisse-allisola-di-circe\/","title":{"rendered":"Zamponi: Ulisse All&#8217;isola Di circe"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"650\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/zamponi_couv-1024x650.jpg\" alt=\"\" class=\"wp-image-7903\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/zamponi_couv-1024x650.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/zamponi_couv-300x191.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/zamponi_couv-768x488.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/zamponi_couv.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h4 class=\"wp-block-heading\">Gioseffo Zamponi\u2019s <em>Ulisse all&#8217;isola di Circe<\/em> was the first opera to be performed in Southern Netherlands. It premiered in Brussels on 24 February 1650 in honour of Philip IV of Spain\u2019s marriage to Maria-Anna of Austria. It is written in the new style of Venetian operas with highly distinctive characters and a language that combines recitar cantado with arias, alternating between theatricality and episodes of great emotion. The opera enthralled all the artists who took part in its resurrection. This production reunites all three ensembles led by Leonardo Garc\u00eda Alarc\u00f3n.    <\/h4>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns wp-embed-aspect-16-9 wp-has-aspect-ratio is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The Baroque <em>Odyssey<\/em><\/h2>\n\n\n\n<p>Just ten years after the premiere of <em>L\u2019incoronazione di Poppea<\/em>, music had evolved to such a point that it could be used to transmit all kinds of emotions. Zamponi used it to convey the fury of Venus, the grace of Circe and the queen\u2019s humour as she jokes with her attendants. The poet (not yet called a  <em>librettist <\/em>) was assigned to come up with a <em>scenario<\/em>(not yet called a scenario either) that would accommodate all of these tones and genres. And, of course, stage director Giacomo Torelli had to bringing the drama to life with cranks, counterweights and capstans. In was truly the birth of Baroque opera.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"ZAMPONI - Ulisse all&#039; Isola di Circe (1650) - Album Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/xiF0kCaz77A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n<section class=\"container univers-cappella\">\n    <div class=\"univers-content\">\n\n        <div class=\"content-left\">\n            <iframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/artist\/2yJfqhVmNzxJw0bMoE6nUX?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; 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<em>Circe<\/em><\/li>\n\n\n\n<li><strong>Furio Zanasi<\/strong>, baritone &#8211; <em>Ulisse<\/em> <\/li>\n\n\n\n<li><strong>Sergio Foresti<\/strong>, bass &#8211; <em>Nettuno<\/em><\/li>\n\n\n\n<li><strong>Fernando Guimar\u00e3es<\/strong>, tenor &#8211; <em>Euriloco \/ Tritone secondo Statua prima \/ Marte<\/em><\/li>\n\n\n\n<li><strong>Zachary Wilder<\/strong>, tenor &#8211; <em>Mercurio \/ Apollo<\/em><\/li>\n\n\n\n<li><strong>Mariana Flores<\/strong>, soprano &#8211; <em>Venere<\/em><\/li>\n\n\n\n<li><strong>Dominique Visse<\/strong>, countertenor &#8211; <em>Argesta<\/em><\/li>\n\n\n\n<li><strong>Fabi\u00e1n Schofrin<\/strong>, countertenor &#8211; <em>Satiro<\/em><\/li>\n\n\n\n<li><strong>Matteo Belloto<\/strong>, bass &#8211; <em>Giove<\/em><\/li>\n\n\n\n<li><strong>Caroline Weynants<\/strong>, soprano &#8211; <em>Lisetta \/ Pallade<\/em><\/li>\n\n\n\n<li><strong>Alice Foccroulle<\/strong>, soprano &#8211; <em>Dorinda<\/em><\/li>\n\n\n\n<li><strong>Beno\u00eet Giaux<\/strong>, baritone &#8211; <em>Tritone primo<\/em><\/li>\n\n\n\n<li><strong>Philippe Favette<\/strong>, bass &#8211; <em>Statua seconda<\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>St\u00e9phanie de Failly<\/strong><em>,<\/em> first violin<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Cappella Mediterranea<\/strong><\/li>\n\n\n\n<li><strong>Ensemble Clematis<\/strong><\/li>\n\n\n\n<li><strong>Ch\u0153ur de Chambre de Namur <\/strong><\/li>\n\n\n\n<li><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong>, musical direction<\/li>\n<\/ul>\n\n\n\n<p><em>This CD was co-produced by Outhere SA, Clematis, Le Centre d&#8217;Art Vocal de la Musique Ancienne (CAVEMA) and the Salle Philharmonique de Li\u00e8ge. <\/em><\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#3e84c3\" class=\"has-inline-color\">Released on 31 March 2014 by Ricercar. 137 minutes.<\/mark><\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/outhere-music.com\/fr\/albums\/zamponi-ulisse-allisola-di-circe\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        Purchase the album from Outhere Music    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Sogno-di-una-notte-venezianna-MA-1-683x1024.jpg\" alt=\"Leonardo Garc&#xED;a Alarc&#xF3;n, Cappella Mediterranea\" class=\"wp-image-5114\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Sogno-di-una-notte-venezianna-MA-1-683x1024.jpg 683w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Sogno-di-una-notte-venezianna-MA-1-200x300.jpg 200w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Sogno-di-una-notte-venezianna-MA-1-768x1152.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Sogno-di-una-notte-venezianna-MA-1-1024x1536.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Sogno-di-una-notte-venezianna-MA-1.jpg 1100w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n<\/div>\n\n<section class=\"container titre-secondaire\">\n    <h2 class=\"\">About<\/h2>\n            <p><p>\u201cThis work is typical of the opera that was developing throughout Europe in the middle of the 17th century. Like Alcine, Armide, Calypso (all the women in the Odyssey!), Circ\u00e9 is a sorceress. If it took Ulysses ten years to return from Troy, it wasn&#8217;t because of the storms, but because of these bewitching women (while poor Penelope waited for him as she wove her tapestries). Just a decade after Monteverdi&#8217;s <em>Il Ritorno d&#8217;Ulisse<\/em>, Ulysses is once again &#8216;charmed&#8217;, or rather, &#8216;bewitched&#8217;. Ascanio Amalteo&#8217;s libretto mixes together these different tones and genres, entrusting music with the task of expressing it all.\u201d     <\/p>\n<p><strong>Olivia Wahnon De Oliveira <\/strong><\/p>\n<\/p>\n    <\/section>\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n\n<section class=\"container partenaires-telechargements no-file\">\n\n    <div class=\"partenaires\">\n        <h3>Our partners<\/h3>\n        <div class=\"partenaires_content\">\n                            <div class=\"partenaire_item\" data-call-modal=\"federation-wb-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"229\" height=\"220\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/federation-WB-e1686838744426.png\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"federation-wb-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"229\" height=\"220\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/federation-WB-e1686838744426.png\" alt=\"\" title=\"fe\u0301de\u0301ration WB\" >\n                        <p>This recording was made with the support of the F\u00e9d\u00e9ration Wallonie-Bruxelles (Direction g\u00e9n\u00e9rale de la Culture, Secteur de la Musique).<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                    <\/div>\n    <\/div>\n    <\/section><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Gioseffo Zamponi\u2019s Ulisse all&#8217;isola di Circe was the first opera to be performed in Southern Netherlands. It premiered in Brussels on 24 February 1650 in honour of Philip IV of Spain\u2019s marriage to Maria-Anna of Austria. It is written in the new style of Venetian operas with highly distinctive characters and a language that combines recitar cantado with arias, alternating between theatricality and episodes of great emotion. The opera enthralled all the artists who took part in its resurrection. This production reunites all three ensembles led by Leonardo Garc\u00eda Alarc\u00f3n.  ","protected":false},"featured_media":7904,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-discographie":[61],"class_list":["post-9305","post-discographie","type-post-discographie","status-publish","has-post-thumbnail","hentry","categorie-discographie-album"],"acf":[],"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-discographie\/9305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-discographie"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-discographie"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-discographie\/9305\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/7904"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=9305"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=9305"},{"taxonomy":"categorie-discographie","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-discographie?post=9305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}