{"id":12051,"date":"2025-03-27T10:28:23","date_gmt":"2025-03-27T09:28:23","guid":{"rendered":"https:\/\/cappellamediterranea.com\/post-discographie\/colonna-handel-missa-dixit-dominus\/"},"modified":"2025-06-06T14:48:29","modified_gmt":"2025-06-06T12:48:29","slug":"colonna-handel-missa-dixit-dominus","status":"publish","type":"post-discographie","link":"https:\/\/cappellamediterranea.com\/en\/post-discographie\/colonna-handel-missa-dixit-dominus\/","title":{"rendered":"Colonna \/ Handel, Missa &amp; Dixit Dominus"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"650\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/colonna-handel_couv-1024x650.jpg\" alt=\"\" class=\"wp-image-12042\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/colonna-handel_couv-1024x650.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/colonna-handel_couv-300x191.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/colonna-handel_couv-768x488.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/colonna-handel_couv.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>Leonardo Garc\u00eda Alarc\u00f3n presents and contrasts two monumental works: a <em>Missa Concertata<\/em> by the choirmaster of the Basilica of San Petronio in Bologna and the famous <em>Dixit Dominus<\/em> composed by Georg Friderich Handel in Rome in 1707. A fascinating comparison between a first recording of a forgotten masterpiece and a new interpretation of one of the most brilliant works by the young Handel, dazzled as he was by his discovery of the Italian Baroque. <\/p>\n\n\n\n<p><strong>Georg Friedrich Handel<\/strong> (1685-1757)<br\/><em>Dixit Dominus<\/em> HWV 232<\/p>\n\n\n\n<p><strong>Giovanni Paolo Colonna<\/strong> (1637-1695)<br\/><em>Missa a 5 Concertata<\/em><\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns wp-embed-aspect-16-9 wp-has-aspect-ratio is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><br\/><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n<div class=\"wp-block-columns wp-embed-aspect-16-9 wp-has-aspect-ratio is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Cast<\/h2>\n\n\n\n<p>Elizaveta Sveshnikova &amp; Mariana Flores, sopranos<br\/>Paul-Antoine B\u00e9nos-Djian, countertenor<br\/>Valerio Contaldo, tenor<br\/>Andr\u00e9 Morsch, bass<\/p>\n\n\n\n<p>Ch\u0153ur de Chambre de Namur<br\/>Cappella Mediterranea<br\/>Leonardo Garc\u00eda-Alarc\u00f3n, musical direction<\/p>\n\n\n\n<p><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#3e84c3\" class=\"has-inline-color\">Release in April, 11th 2025, Ricercar <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6LrbH06ZIrwbXkUu6utNg4?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n<\/div>\n<\/div>\n\n<section class=\"container citation-presse\">\n    <h2><\/h2>\n    <div class=\"swiper-citation-presse\">\n        <div class=\"swiper-wrapper\">\n                            <div class=\"swiper-slide\">\n                                            <div class=\"content-jacket\">\n                            <img decoding=\"async\" class=\"jacket\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/LogoMarque__0000s_0041_LeSoir.eps_.png\" alt=\"\" \/>\n                        <\/div>\n                                        <p class=\"citation\">&#8220;Leonardo Garc\u00eda-Alarc\u00f3n, \u00e0 la t\u00eate de ses fid\u00e8les Cappella Mediterranea et Ch\u0153ur de Chambre de Namur, fait \u0153uvre d&#8217;historien r\u00e9v\u00e9lateur, tirant un tableau qui combine le style ancien en pleine r\u00e9novation de Colonna que l&#8217;on red\u00e9couvre et le surgissement novateur d&#8217;un jeune H\u00e4ndel d&#8217;une vigueur rare. Le tout dans une majest\u00e9 imposante.&#8221;  <\/p>\n                    <p class=\"auteur\">Serge Martin<\/p>\n                <\/div>\n                    <\/div>\n    <\/div>\n\n    <div class=\"citation-navigation\">\n        <div class=\"swiper-citation-presse-button-prev\"><\/div>\n        <div class=\"swiper-citation-presse-button-next\"><\/div>\n    <\/div>\n<\/section>\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n\n<section class=\"container partenaires-telechargements no-file\">\n\n    <div class=\"partenaires\">\n        <h2>Our partners<\/h2>\n<p>This recording is supported by a Swiss family foundation<br \/>\nand Caroline Rilliet.<\/p>\n        <div class=\"partenaires_content\">\n                            <div class=\"partenaire_item\" data-call-modal=\"logo-fwb-couleur-quadri-vertical-2-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"200\" height=\"192\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/logo-fwb-couleur-quadri-vertical-1.png\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"logo-fwb-couleur-quadri-vertical-2-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"200\" height=\"192\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/logo-fwb-couleur-quadri-vertical-1.png\" alt=\"\" title=\"logo-fwb-couleur-quadri-vertical\" >\n                        <p>This recording has been made with the support of the F\u00e9d\u00e9ration Wallonie-Bruxelles (Direction g\u00e9n\u00e9rale de la Culture, Service de la Musique)<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                    <\/div>\n    <\/div>\n    <\/section><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Leonardo Garc\u00eda Alarc\u00f3n presents and contrasts two monumental works: a Missa Concertata by the choirmaster of the Basilica of San Petronio in Bologna and the famous Dixit Dominus composed by Georg Friedrich Handel in Rome in 1707. A fascinating comparison between a first recording of a forgotten masterpiece and a new interpretation of one of the most brilliant works by the young Handel, dazzled as he was by his discovery of the Italian Baroque. 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