{"id":9366,"date":"2024-02-08T11:14:10","date_gmt":"2024-02-08T10:14:10","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/early-mozart\/"},"modified":"2024-01-23T11:22:48","modified_gmt":"2024-01-23T10:22:48","slug":"early-mozart","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/early-mozart\/","title":{"rendered":"Early Mozart"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Les-Chants-Venoge-4-1024x678.jpg\" alt=\"Gwendoline Blondeel, Les Chants du Ciel et de la Terre, Venoge, Cappella Mediterranea\" class=\"wp-image-3784\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Les-Chants-Venoge-4-1024x678.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Les-Chants-Venoge-4-300x199.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Les-Chants-Venoge-4-768x508.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Les-Chants-Venoge-4.jpg 1127w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-constrained wp-container-core-column-is-layout-254f1302 wp-block-column-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:50%\">\n<h4 class=\"wp-block-heading has-text-align-left\">Mozart was only 24 when he composed <em>Idomeneo<\/em>, re di Creta in 1780, but he already had a wealth of work behind him. In this special \u2018early Mozart\u2019 ap\u00e9ropera, soprano Gwendoline Blondeel and the musicians of the Cappella Mediterranea ensemble will take you on an encounter with the music of Wolfgang\u2019s early years, from the first operas to the <em>Divertimento<\/em> for three and the aria. A must-see!<\/h4>\n<\/div>\n<\/div>\n\n<section class=\"container\">\n\n\n\n    \n        <h2 class=\"titre-secondaire-basic\">Prochaines dates<\/h2>\n\n                    <div class=\"liste-concert\">\n                            <\/div>\n        \n    \n<\/section>\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>&#8220;Schildre einen Philosophen&#8221;<\/strong> (Welgeist) Die Schuldigkeit des ersten Gebots, KV 35 (1767) [5&#8242;]<\/p>\n<p><strong>&#8220;Grazie ai numi parti&#8230;Nel grave tormento&#8221;<\/strong> (Aspasia) Mitridate, re di Ponto, KV 87 (1770) [6&#8217;30&#8221;]<\/p>\n<p><strong>Trio KV 254<\/strong> [Divertimento \u00e0 3] (1776) [13&#8242;]<br>I. Allegro Assai<br>II. Adagio<br>III. Rondo. Tempo di Menuetto.<\/p>\n<p><strong>&#8220;Dans un bois solitaire&#8221;<\/strong>, KV 308 (1777) [3&#8217;30&#8221;]<\/p>\n<p><strong>&#8220;Tiger! wetze nur die Klauen&#8221;<\/strong> (Zaide) Zaide , KV 344 (1780) [5&#8242;]<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Artists<\/h2>\n\n\n\n<p><strong>Gwendoline Blondeel<\/strong>, soprano<br\/><strong>NN<\/strong>, violin<br\/><strong>Karolina Plywaczewska<\/strong>, cello<br\/><strong>Adri\u00e0 Gr\u00e0cia G\u00e0lvez<\/strong>, piano<\/p>\n\n\n\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        See our other productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"The music of Wolfgang\u2019s early years, from the first operas to the Divertimento for three and the aria. 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