{"id":9229,"date":"2022-10-11T12:07:00","date_gmt":"2022-10-11T10:07:00","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/splendeurs-de-la-polyphonie-romaine\/"},"modified":"2023-12-03T17:47:01","modified_gmt":"2023-12-03T16:47:01","slug":"splendeurs-de-la-polyphonie-romaine","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/splendeurs-de-la-polyphonie-romaine\/","title":{"rendered":"Splendeurs de la polyphonie romaine"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"602\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Splendeurs-de-la-polyphonie-romaine-6-1024x602.jpg\" alt=\"Splendeurs de la polyphonie romaine, Leonardo Garc&#xED;a Alarc&#xF3;n, Ch&#x153;ur de Chambre de Namur, Cappella Mediterranea\" class=\"wp-image-5056\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-6-1024x602.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-6-300x176.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-6-768x451.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-6.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-constrained wp-container-core-column-is-layout-254f1302 wp-block-column-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:50%\">\n<h4 class=\"wp-block-heading has-text-align-left\">Argentine conductor Leonardo Garc\u00eda Alarc\u00f3n is a specialist in Italian Baroque music and a great discoverer of forgotten scores. Here, he invites us to take an intoxicating plunge into the polyphonic music of 17th-century Rome.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>With each piece, the music seizes us and transports us, stupefying us with its cries and silences. These Roman polyphonic pieces are full of treasures. At times, a majestic fugue unfolds, while at other times, the quartet of soloists introduces a more intimate atmosphere. Giorgi&#8217;s three motets are simply splendid and his   <\/em>Ave Maria<em>is pure and moving.&#8221;<\/em><\/p>\n<cite><strong>Marc Dumont for Premi\u00e8re Loge<\/strong><\/cite><\/blockquote>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Seventeenth-century Rome <\/h2>\n\n\n\n<p class=\"has-text-align-left\">This collaboration between Cappella Mediterranea and Laurence Equilbey\u2019s choir, Accentus, presents us with a programme that ranges from Allegri&#8217;s famous <em>Miserere<\/em> &#8211; a masterpiece of the Sistine Chapel that was jealously guarded for centuries \u2013 to the poignantly chromatic motets of Alessandro Scarlatti. It also give us the chance to discover a little-known mass by Giovanni Giorgi, a composer who was choirmaster at Saint-Jean de Latran before ending his career at the court of Lisbon. <\/p>\n\n\n\n<p><em>\u201cThese 17th-century compositions rivaled one another in ingenuity and multiplied the processes of spatialisation, gradually emancipating themselves from their religious origins and ultimately turning them to their advantage.\u201d &#8211; <strong>Philippe Ramin for Bachtrack<\/strong><\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Splendeurs de la polyphonie Romaine \u00e0 la Philharmonie de Paris\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/mDU-fK8D5QA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Alessandro Scarlatti<br\/><\/strong><em>Plange quasi virgo<br\/><\/em><em>Ecce vidimus eum<\/em><\/p>\n\n\n\n<p><strong>Gregorio Allegri<br\/><\/strong><em>Miserere<\/em><\/p>\n\n\n\n<p><strong>Luigi Rossi<br\/><\/strong><em>Piangete occhi piangete<\/em><\/p>\n\n\n\n<p><strong>Giovanni Giorgi<br\/><\/strong><em>Motet<br\/><\/em><em>Mass in F major<\/em> <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Artists<\/h2>\n\n\n\n<p><strong>Julie Roset<\/strong>, soprano<br\/><strong>Paulin B\u00fcndgen<\/strong>, countertenor<br\/><strong>Valerio Contaldo<\/strong>, tenor<br\/><strong>Matteo Bellotto<\/strong>, bass<\/p>\n\n\n\n<p><strong>Accentus<br\/><\/strong><strong>Cappella Mediterranea<br\/><\/strong><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong> conductor<\/p>\n\n\n\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/post-discographie\/disques-de-lga-2-2-5-13\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        Album    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h2 class=\"wp-block-heading\">About <\/h2>\n\n\n\n<p>\u201cWhile the melodies are very simply constructed, they are surrounded by great harmonic richness. Nevertheless, the result never comes across as unnatural or saturated. For the <em>Holy Week<\/em> liturgical texts, Giorgi continued to employ the features of Renaissance madrigals, including chromaticism, abrupt melodic leaps and passages where the bars become longer, creating a timeless effect that is virtually absent from the music of his contemporaries. His Offertoires romains are a virtuosic work of counterpoint, containing three centuries of European polyphonic technique.\u201d   <\/p>\n\n\n\n<p><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong><\/p>\n\n\n\n<p>\u201cIn the 17th centuy, Roman sacred music was varied and dynamic. While the accompanied monody was prominent (especially with the invention of the oratorio), the polyphonic tradition was never abandoned. When Abb\u00e9 Andr\u00e9 Maugars visited Rome in the late 1630s, he was struck by these divergent musical practices. In his famous <em>Response faite \u00e0 un curieux sur le sentiment de la musique d&#8217;Italie<\/em> (1639), he recounts how he was amazed by both the oratorios and the great polychoral compositions. As Maugars observes, Roman composers did not hesitate to multiply choirs, going as far as to bring six or seven choirs together and unite singers and instrumentalists in typically Baroque flamboyant style.\u201d    <\/p>\n\n\n\n<p><strong>J\u00e9r\u00f4me Lejeune<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/production\/amore-siciliano-2-2-23\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        Other similar concerts    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h2 class=\"wp-block-heading\">What the press is saying<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Olyrix<\/h4>\n\n\n\n<p>\u201cUnder Leonardo Garc\u00eda Alarc\u00f3n&#8217;s warm and assertive baton, Cappella Mediterrana enchants the audience and brings to life powerful religious music that is far removed from our reality today. The resounding success of this evening shows that the gap is not insurmountable and that beauty is present in all eras.\u201d<br\/><em><strong>Jos\u00e9 Pons for Olyrix<br\/><\/strong><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.olyrix.com\/articles\/production\/6176\/splendeurs-romaines-concert-auditorium-michel-laclotte-musee-du-louvre-roset-soprano-bundgen-contre-tenor-contaldo-bellotto-basse-accentus-cappella-mediterranea-leonardo-garcia-alarcon-allegri-miserere-scarlatti-rossi-7-octobre-2022-critique-compte-rendu\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Premi\u00e8re loge<\/h4>\n\n\n\n<p>\u201cNo matter how numerous, diverse and original his concerts are, Leonardo Garc\u00eda Alarc\u00f3n always remains present, directing his ensemble with incredible vitality and sharpness. He supports his instrumentalists and accompanies each musical phrase. He conducts with broad, sensual gestures and seems to dance with the melodic lines. His concerts are as breathtaking as ever. It&#8217;s a pleasure to hear the conductor introduce the programme himself before the music begins.   <\/p>\n\n\n\n<p>These <em>Splendours of Roman Polyphony<\/em> were no exception. The sparsely packed auditorium was barely half full, but Alarc\u00f3n and his artists had us on the edge of our seats from the very first bars. The Accentus choir was inspired, developing a strength and fervour that amplify the works in this programme \u2013 all the more so since Alarc\u00f3n expanded the acoustic potential of the venue by varying the position of the choir.\u201d   <br\/><em><strong>Marc Dumont for Premi\u00e8re Loge<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.premiereloge-opera.com\/article\/compte-rendu\/concert\/2022\/10\/09\/splendeurs-chorales-a-la-seine-musicale-critique-julie-roset-paulin-bundgen-valerio-contaldo-matteo-bellotto-accentus-cappella-mediterranea-leonardo-garcia-alarcon\/\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Bachtrack<\/h4>\n\n\n\n<p>\u201cThe works chosen by Alarc\u00f3n feature the musical traditions of the Sistine and Giulia Chapels. A special place is given to Giovanni Giorgi (a pupil of Antonio Lotti in Venice and choirmaster in Rome and then Lisbon) and Alessandro Scarlatti, whose unsettling harmonies enhance the expressiveness of the words.\u201d<br\/><em><strong>Philippe Ramin for Backtrack<br\/><\/strong><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/bachtrack.com\/fr_FR\/critique-alarcon-cappella-mediterranea-accentus-auditorium-du-louvre-paris-octobre-2022\" target=\"_blank\">See full article<\/a><\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"698\" height=\"1024\" data-id=\"5060\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Splendeurs-de-la-polyphonie-Romaine-Louvre-1-698x1024.jpg\" alt=\"Splendeurs de la polyphonie romaine, Ch&#x153;ur de Chambre de Namur, Cappella Mediterranea\" class=\"wp-image-5060\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-Louvre-1-698x1024.jpg 698w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-Louvre-1-204x300.jpg 204w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-Louvre-1-768x1127.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-Louvre-1.jpg 1000w\" sizes=\"auto, (max-width: 698px) 100vw, 698px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"647\" height=\"1024\" data-id=\"5052\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Splendeurs-de-la-polyphonie-romaine-3-647x1024.jpg\" alt=\"Splendeurs de la polyphonie romaine, Ch&#x153;ur de Chambre de Namur, Cappella Mediterranea\" class=\"wp-image-5052\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-3-647x1024.jpg 647w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-3-190x300.jpg 190w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-3-768x1216.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-3-970x1536.jpg 970w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-romaine-3.jpg 1100w\" sizes=\"auto, (max-width: 647px) 100vw, 647px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"745\" height=\"1024\" data-id=\"5048\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Splendeurs-de-la-polyphonie-Romaine-4-745x1024.jpg\" alt=\"Splendeurs de la polyphonie romaine, Leonardo Garc&#xED;a Alarc&#xF3;n, Ch&#x153;ur de Chambre de Namur, Cappella Mediterranea\" class=\"wp-image-5048\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-4-745x1024.jpg 745w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-4-218x300.jpg 218w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-4-768x1056.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-4.jpg 1100w\" sizes=\"auto, (max-width: 745px) 100vw, 745px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"693\" data-id=\"5054\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Splendeurs-de-la-polyphonie-Romaine-5-1024x693.jpg\" alt=\"Splendeurs de la polyphonie romaine, Leonardo Garc&#xED;a Alarc&#xF3;n, Ch&#x153;ur de Chambre de Namur, Cappella Mediterranea\" class=\"wp-image-5054\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-5-1024x693.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-5-300x203.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-5-768x519.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Splendeurs-de-la-polyphonie-Romaine-5.jpg 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ef350914 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        See our other productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n\n<section class=\"container partenaires-telechargements no-file\">\n\n    <div class=\"partenaires\">\n        <h3>Our partners<\/h3>\n        <div class=\"partenaires_content\">\n                            <div class=\"partenaire_item\" data-call-modal=\"accentus-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"474\" height=\"474\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/accentus-e1688480983716.jpeg\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"accentus-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"474\" height=\"474\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/accentus-e1688480983716.jpeg\" alt=\"\" title=\"accentus\" >\n                        <p>This concert was co-produced with the Op\u00e9ra de Rouen Normandie and Accentus, and the Mus\u00e9e du Louvre and Accentus.<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                            <div class=\"partenaire_item\" data-call-modal=\"louvre-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"250\" height=\"250\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/louvre-e1688481049492.jpeg\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"louvre-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"250\" height=\"250\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/louvre-e1688481049492.jpeg\" alt=\"\" title=\"louvre\" >\n                        <p>This concert was co-produced with Mus\u00e9e du Louvre and Accentus.<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                            <div class=\"partenaire_item\" data-call-modal=\"opera-de-rouen-normandie-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"474\" height=\"426\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/opera-de-rouen-normandie-e1688482809484.jpeg\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"opera-de-rouen-normandie-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"474\" height=\"426\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/opera-de-rouen-normandie-e1688482809484.jpeg\" alt=\"\" title=\"op\u00e9ra de rouen normandie\" >\n                        <p>This concert was co-produced with Op\u00e9ra de Rouen Normandie and Accentus<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                    <\/div>\n    <\/div>\n    <\/section><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Argentine conductor Leonardo Garc\u00eda Alarc\u00f3n is a specialist in Italian Baroque music and a great discoverer of forgotten scores. Here, he invites us to take an intoxicating plunge into the polyphonic music of 17th-century Rome.","protected":false},"featured_media":5059,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[62],"class_list":["post-9229","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-large-scale-concert"],"acf":{"concerts":[{"date":"2022-10-11 20:00:00","lieu":"Rouen, France","salle_de_concert":"Chapelle Corneille","lien_de_la_billetterie":""},{"date":"2022-10-07 20:00:00","lieu":"Paris, France","salle_de_concert":"Louvre - Auditorium Michel Laclotte","lien_de_la_billetterie":""},{"date":"2022-10-06 19:30:00","lieu":"Boulogne, France","salle_de_concert":"La Seine Musicale","lien_de_la_billetterie":""},{"date":"2020-06-27 20:00:00","lieu":"Paris, France","salle_de_concert":"Concert Virtuel - Salle des concerts - Philharmonie de Paris","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9229\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/5059"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=9229"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=9229"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=9229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}