{"id":9218,"date":"2022-12-04T14:29:54","date_gmt":"2022-12-04T13:29:54","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/sacrati-la-finta-pazza\/"},"modified":"2023-12-03T16:25:08","modified_gmt":"2023-12-03T15:25:08","slug":"sacrati-la-finta-pazza","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/sacrati-la-finta-pazza\/","title":{"rendered":"Sacrati, La Finta Pazza"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"665\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Finta-Pazza-Versailles-5-1024x665.jpg\" alt=\"Mariana Flores, Marcel Beekman, Valerio Contaldo, La Finta Pazza Sacrati, Op&#xE9;ra Royal de Versailles, Capella Mediterranea\" class=\"wp-image-4974\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-5-1024x665.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-5-300x195.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-5-768x498.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-5-1536x997.jpg 1536w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-5.jpg 1695w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:50%\">\n<h4 class=\"wp-block-heading has-text-align-left\">This opera was ahead of its time, thanks to its style, themes, theatricality and vocal arrangements. Leonardo Garc\u00eda Alarc\u00f3n and Jean<em>&#8211;<\/em>Yves Ruf bring this masterpiece back to the French stage at last!<\/h4>\n\n\n\n<p><em>&#8220;The feminist and anti-military message is vehemently defended by Mariana Flores in an explosive performance. With her superb red dress, she is the epicentre of the show.&#8221;<\/em><\/p>\n\n\n\n<p><em><strong>Jean-Luc Clairet for Resmusica<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\"><strong>The first opera performed in France<\/strong><\/h2>\n\n\n\n<p>The premiere of <em>La finta pazza <\/em>it was the first opera by composer Francesco Sacrati and featured the first stage machinery developed by Giacomo Torelli, as well as the first <em>prima donna<\/em> in history with soprano Anna Renzi, for whom Sacrati composed the first operatic \u201cmad scene\u201d. Thanks to its success, it became the first opera to go on tour and was performed throughout northern Italy and in Paris in 1645, before a young Louis XIV. This performance was key to the development of French opera. For more than three centuries, <em>La finta pazza<\/em> only survived through libretto, which skilfully plays on all the codes of Venetian opera: earthly and celestial dimensions, cross-dressing and gender switching, metatheatrical allusions, and a mise en abime of the performance space and singing. Sacrati&#8217;s music could only exist in our imaginations, until 1983 when a copy of the score was uncovered, at last providing us with insight into the music of the man whom Giacomo Badoaro called &#8220;the moon to Monteverdi\u2019s sun&#8221; and who has been identified by many musicologists as the composer of &#8220;Pur ti miro&#8221;, the famous duo that brings Monteverdi\u2019s <em>L&#8217;Incoronazione di Poppea<\/em> to a close.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La Finta Pazza, Nominated Best Rediscovered Work\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vQSGaVW9xic?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Francesco Sacrati<\/strong>, Music<br\/><strong>Giulio Strozzi<\/strong>, Libretto<\/p>\n\n\n\n<p><em>Performed in Italian with French surtitles <\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Summary<\/strong><\/h4>\n\n\n\n<p>When an oracle predicted that Thetis\u2019 son Achilles will die in battle if he goes to war against Troy, Thetis decides to hide him on the island of Scyros, disguised as one of King Lycomedes&#8217; daughters. There, Achilles begins a secret love affair with Deidamia, Lycomedes\u2019 daughter, who gives him a son named Pyrrhus. Juno and Minerva persuade Thetis to let her son go to war, as without him, the Greeks cannot defeat the Trojans. Achilles prepares to set sail with Ulysses and Diomedes, who is in love with Deidamia. The two men have been sent to enlist him and stir his appetite for battle. Feeling neglected, Deidamia pretends to be mad so that Achilles will stay with her and marry her. The ploy works and before leaving, Achilles officially proclaims his love for her and Deidamia introduces their son to everyone.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/post-discographie\/disques-de-lga-2\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        Album    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Artists<\/h2>\n\n\n\n<p><strong>Mariana Flores<\/strong>, soprano &#8211; <em>Deidamia<\/em><br\/><strong>Filipo Mineccia<\/strong>, countertenor &#8211; <em>Achille<\/em><br\/><strong>Carlo Vistoli (2019) \/ Gabriel Jublin (2022)<\/strong>, countertenor &#8211; <em>Ulisse<\/em><br\/><strong>Valerio Contaldo<\/strong>, tenor &#8211; <em>Diomede<\/em><br\/><strong>Alejandro Meerapfel<\/strong>, bass &#8211; <em>Licomede<\/em><br\/><strong>Kacper Szel\u0105\u017cek<\/strong>, countertenor &#8211; <em>Eunuco<\/em><br\/><strong>Marcel Beekman<\/strong>, tenor &#8211; <em>Nodrice<\/em><br\/><strong>Salvo Vitale (2019) \/ Alexander Miminoshvili (2022)<\/strong>, bass &#8211; <em>Capitano<\/em><br\/><strong>Julie Roset<\/strong>, soprano &#8211; <em>Aurora \/ Giunone<\/em><br\/><strong>Fiona McGown<\/strong>, soprano &#8211; <em>Tetide \/ Vittoria<\/em><br\/><strong>Scott Conner (2019) \/ Alexander Miminoshvili (2022)<\/strong>, baritone-bass &#8211; <em>Vulcano \/ Giove<\/em><br\/><em><strong>Norma Nahoun<\/strong><\/em>, soprano &#8211; <em>Fama \/ Minerva<\/em><br\/><strong>Ruben Ruf (2019)<\/strong>, <em>Pirro<\/em><\/p>\n\n\n\n<p><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong>, musical director<br\/><strong>Cappella Mediterranea<\/strong><br\/><strong>Jean-Yves Ruf<\/strong>, stage director<br\/><strong>Ana\u00efs de Courson<\/strong>, assistant stage director<br\/><strong>Laure Pichat<\/strong>, set designer<br\/><strong>Fanny Gamet<\/strong>, assistant set designer<br\/><strong>Claudia Jenatsch<\/strong>, costume designer<br\/><strong>Christian Dubet<\/strong><em>,<\/em> lighting<em><br\/><\/em><strong>C\u00e9cile Kretschmar<\/strong>, wigs<\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h2 class=\"wp-block-heading\">What the press is saying<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">T\u00e9l\u00e9rama<\/h4>\n\n\n\n<p>\u201cThis revival in Versailles reveals the qualities of this opera and the intelligence of the production concocted by Jean-Yves Ruf (on stage) and Leonardo Garc\u00eda Alarc\u00f3n (in the pit). We are struck by the poetry and humour of the staging; the libretto, which insolently explores gender troubles; and the music, which is entirely at the service of the drama. Above all, we must applaud the incredible Cappella Mediterranea, the dazzling soprano Mariana Flores in the title role, and a superbly homogeneous vocal ensemble.\u201d<br\/><em><strong>Sophie Bourdais for T\u00e9l\u00e9rama<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/television.telerama.fr\/tele\/opera\/la-finta-pazza-a-l-opera-royal-de-versailles-1-242282377.php\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Bachtrack<\/h4>\n\n\n\n<p>\u201cAs Leonardo Garc\u00eda Alarc\u00f3n affirms, even if we can&#8217;t pinpoint Sacrati\u2019s style, his only surviving work shows great inventiveness. Notably, it contains ornamentation and chords that were thought to have arrived much later. The Argentinian conductor has used his expertise and passion to bring this score back to life. [&#8230;] In the pit, Cappella Mediterranea opens the doors to a veritable treasure trove. Shimmering colours alternate with darker tones, illuminated by lights that vary according to the events and atmospheres, while the continuo displays superb ductility. The small orchestra is in perfect harmony with the stage. What&#8217;s more, there is a clear sense of complicity between all the artists, as though they are all part of the same troupe.\u201d<br\/><em><strong>Jean-Marc Piriou for Bachtrack<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/bachtrack.com\/es_ES\/critique-finta-pazza-alarcon-ruf-flores-mineccia-vistoli-contaldo-cappella-mediterranea-grand-theatre-opera-dijon-fevrier-2019?fbclid=IwAR19phQrN-9rtqmuLV9bTnggjsnbG-x3wUdmk37nWvKOjXalWjM0-1umw6s\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">ResMusica<\/h4>\n\n\n\n<p>\u201cIn the programme, the conductor credits Sacrati twice as the composer of <em>Pur ti miro<\/em> from <em>L\u2019Incoronazione di Poppea<\/em>. We&#8217;re inclined to believe him, as the melodies of <em>La Finta Pazza<\/em> are so close to the Monteverdian hit. The plot is always moving forward. There are no arias. Nothing is ever said twice. And yet the music never sinks into the recitative blackholes characteristic of a genre that was still defining itself. The ravishing <em>Canzonnette a tre voci<\/em> and the suspense of the final call for Achilles to join the Trojan War are neither developed nor repeated. The music, which is perfectly compatible with the words, was composed as if it would only be heard once, and the dense beauty of it kept the audience mesmerised for two and a half hours.\u201d       <br\/><em><strong>Jean-Luc Clairet for ResMusica<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.resmusica.com\/2019\/02\/08\/la-finta-pazza-un-veritable-evenement-a-dijon\/?fbclid=IwAR2aqBUWtpQxUUvTDWuV5BvsfLfeYgmHdqGUAXr_Sg-HpzOnDoM-lrsfSdA\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Olyrix<\/h4>\n\n\n\n<p>\u201cThe role of Deidamia in <em>La Finta Pazza<\/em> was immortalised by Anna Renzi in 1641. Soprano Mariana Flores takes on the role with a powerful voice that is warm and unctuous, capable of expressing both tenderness and drama. The singer\u2019s energy and commitment to the stage and music are remarkable. Her voice can caress but also rival military trumpets in its bellicose outbursts. The pi\u00e8ce de r\u00e9sistance is of course the mad scene, which allows her to display not only her musical skills, but also her acting skills. She surprises, moves, delights and wins over the audience, who cheer her on at the end of the performance.\u201d    <br\/><em><strong>Caroline Mounier-Vehier for Olyrix<br\/><\/strong><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.olyrix.com\/articles\/production\/2913\/la-finta-pazza-sacrati-chateau-versailles-spectacles-17-mars-2019-opera-royal-alarcon-ruf-flores-mineccia-jublin-contaldo-meerapfel-nahoun-szelazek-beekman-vitale-roset-miminoshvili-mcgown-piroli-hauss-marjot-ruf-cappella-mediterrane-courson-pichat-jenats\" target=\"_blank\">See full article<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h4 class=\"wp-block-heading\">Classiquenews<\/h4>\n\n\n\n<p>\u201cThe rare ensemble numbers (the canzonetta in the first act and the chorus in the finale) are a delight. Deidamia, a role written for the first prima donna in history, Anna Renzi, is Mariana Flores, who is younger than ever, lively, playful and moving. The sound, timbre and agility of her voice is a joy to behold. Carlo Vistoli, who is well known to all lovers of Baroque singing, plays an endearing Ulysses. Filippo Minecchia&#8217;s Achilles is superb, making the role of the young lover who turns into an invincible warrior believable. Kacper Szelazelk (the eunuch) is equally delightful. He is perfectly paired with Marcel Beekman in the comic and vocally demanding role of the monstrous nanny. Each of the 15 singers in the cast deserves to be mentioned. The performers, who act like a real troupe, are all intimately familiar with 17th century Italian repertoire and are often brought together by Leonardo Garc\u00eda Alarc\u00f3n.\u201d<br\/><em><strong>Adrien de Vries for ClassiqueNews<br\/><\/strong><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.classiquenews.com\/compte-rendu-opera-dijon-operale-5-fevrier-2019-sacrati-la-finta-pazza-leonardo-garcia-alarcon-jean-yves-ruf\/?fbclid=IwAR0h5OqniwqvI39HWhD4e3WnayL76adt7tAJ6btlZmC2WIfsyS23FrRTK2A\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Olyrix<\/h4>\n\n\n\n<p>\u201cThe theatrical dynamics deployed by the conductor&#8217;s Cappella Mediterranea are matched by a visually seductive performance, with the goddesses arriving by air, a variety of sets and costumes (designed by Laure Pichat and Claudia Jenatsch, respectively), and the use of a red stage curtain to represent the sail of the boat on which Ulysses and Diomedes arrive. This is the contemporary equivalent of the methods used by the great set designer, Giacomo Torelli, in the first production. The actors are well directed. Filippo Mineccia, in particular, moves with great naturalness and ease (without ever making us laugh) from the role of a delicate woman to that of a virile warrior.\u201d<br\/><em><strong>St\u00e9phane Leli\u00e8vre for Olyrix (production Dijon)<br\/><\/strong><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.olyrix.com\/articles\/production\/2785\/la-finta-pazza-opera-dijon-sacrati-strozzi-alarcon-cappella-mediterranea-ruf-courson-pichat-jenatsch-dubet-kretschmar-flores-mineccia-vistoli-contaldo-meerapfel-szelazek-beekman-vitale-roset-mcgown-conner-nahoun-marjot-piroli-hauss-ruf-article-critique-ch\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">OperaOnline<\/h4>\n\n\n\n<p>\u201cConductor Leonardo Garc\u00eda Alarc\u00f3n, aided by his superb ensemble, Cappella Mediterranea, dazzles us with his &#8220;cartoonish&#8221; reading of the work. He conveys the textures and <em>tempi<\/em> of this rare gem, linking instrumental interplay with theatre and the song. He draws us into a whirlwind of sound, which sometimes boils over but other times simmers, like the accompaniment of a silent film. Jacopo Raffaele\u2019s performance on the organ and harpsichord will leave you breathless.\u201d   <br\/><em><strong>Thibault Vicq for OperaOnline<br\/><\/strong><\/em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.opera-online.com\/fr\/columns\/thibaultv\/une-renaissance-fougueuse-et-enlevee-de-la-finta-pazza-a-lopera-de-dijon\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">FranceTV &#8211; Full recording<\/h4>\n\n\n\n<p>Rediscover Francesco Sacrati&#8217;s Italian opera, La Finta Pazza, which was first performed in France in 1645! Will Deidamia prevent her lover Achilles from going to war in Troy? The Oracle was clear: the valiant Achilles is essential to the capture of Troy, but instead of glory, he will meet his death. The young princess Deidamia, daughter of King Lycomedes of the island of Scyros, resorts to all kinds of ruses to delay Achilles&#8217; departure, even feigning madness! But neither heroes nor mortals can escape their fate. The production is conducted by Leonardo Garc\u00eda Alarc\u00f3n, with his ensemble, Cappella Mediterranea, and directed by Jean-Yves Ruf.     <\/p>\n\n\n\n<p><a href=\"https:\/\/www.france.tv\/spectacles-et-culture\/opera-et-musique-classique\/4385521-la-finta-pazza-a-l-opera-royal-de-versailles.html\" target=\"_blank\" rel=\"noreferrer noopener\">See full recording<\/a><\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"1024\" data-id=\"4978\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Finta-pazza-Versailles-2-735x1024.jpg\" alt=\"Mariana Flores, La Finta Pazza Sacrati, Op&#xE9;ra Royal de Versailles, Capella Mediterranea\" class=\"wp-image-4978\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-2-735x1024.jpg 735w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-2-215x300.jpg 215w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-2-768x1070.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-2.jpg 1100w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"1024\" data-id=\"4980\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Finta-Pazza-Versailles-3-690x1024.jpg\" alt=\"Mariana Flores, La Finta Pazza Sacrati, Op&#xE9;ra Royal de Versailles, Capella Mediterranea\" class=\"wp-image-4980\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-3-690x1024.jpg 690w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-3-202x300.jpg 202w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-3-768x1139.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-3-1035x1536.jpg 1035w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-Pazza-Versailles-3.jpg 1100w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"628\" height=\"1024\" data-id=\"4970\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Finta-pazza-Versailles-1-628x1024.jpg\" alt=\"Julie roset, La Finta Pazza Sacrati, Op&#xE9;ra Royal de Versailles, Capella Mediterranea\" class=\"wp-image-4970\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-1-628x1024.jpg 628w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-1-184x300.jpg 184w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-1-768x1252.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-1-942x1536.jpg 942w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-1.jpg 1100w\" sizes=\"auto, (max-width: 628px) 100vw, 628px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"524\" data-id=\"4972\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Finta-pazza-Versailles-4-1024x524.jpg\" alt=\"Mariana Flores, Marcel Beekman, Valerio Contaldo, La Finta Pazza Sacrati, Op&#xE9;ra Royal de Versailles, Capella Mediterranea\" class=\"wp-image-4972\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-4-1024x524.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-4-300x154.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-4-768x393.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-4-1536x786.jpg 1536w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Finta-pazza-Versailles-4.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ef350914 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        See our other productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n\n<section class=\"container partenaires-telechargements no-file\">\n\n    <div class=\"partenaires\">\n        <h3>Our partners<\/h3>\n        <div class=\"partenaires_content\">\n                            <div class=\"partenaire_item\" data-call-modal=\"logo-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"750\" height=\"450\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/logo-e1688368713248.jpeg\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"logo-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"750\" height=\"450\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/logo-e1688368713248.jpeg\" alt=\"\" title=\"logo\" >\n                        <p>Coproduced with the Op\u00e9ra de Dijon and the Op\u00e9ra Royal du Ch\u00e2teau de Versailles Spectacles<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                            <div class=\"partenaire_item\" data-call-modal=\"\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"\" height=\"\" src=\"\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"\" height=\"\" src=\"\" alt=\"\" title=\"\" >\n                        <p>Coproduced with the Op\u00e9ra de Dijon and the Op\u00e9ra Royal du Ch\u00e2teau de Versailles Spectacles<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                    <\/div>\n    <\/div>\n    <\/section><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"This opera was ahead of its time, thanks to its style, themes, theatricality and vocal arrangements. Leonardo Garc\u00eda Alarc\u00f3n and Jean-Yves Ruf bring this masterpiece back to the French stage at last!","protected":false},"featured_media":4977,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[67],"class_list":["post-9218","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-opera"],"acf":{"concerts":[{"date":"2022-12-04 20:00:00","lieu":"Versailles, France","salle_de_concert":"Op\u00e9ra Royal de Versailles","lien_de_la_billetterie":""},{"date":"2022-12-03 19:00:00","lieu":"Versailles, France","salle_de_concert":"Op\u00e9ra Royal de Versailles","lien_de_la_billetterie":""},{"date":"2022-05-07 13:00:00","lieu":"Amsterdam, Pays-Bas","salle_de_concert":"Concertgebouw","lien_de_la_billetterie":""},{"date":"2019-03-17 15:00:00","lieu":"Versailles, France","salle_de_concert":"Op\u00e9ra Royal de Versailles","lien_de_la_billetterie":""},{"date":"2019-03-16 19:00:00","lieu":"Versailles, France","salle_de_concert":"Op\u00e9ra Royal de Versailles","lien_de_la_billetterie":""},{"date":"2019-03-03 17:00:00","lieu":"Geneva, Switzerland","salle_de_concert":"Victoria Hall","lien_de_la_billetterie":""},{"date":"2019-02-10 15:00:00","lieu":"Dijon, France","salle_de_concert":"Op\u00e9ra de Dijon","lien_de_la_billetterie":""},{"date":"2019-02-08 20:00:00","lieu":"Dijon, France","salle_de_concert":"Op\u00e9ra de Dijon","lien_de_la_billetterie":""},{"date":"2019-02-07 20:00:00","lieu":"Dijon, France","salle_de_concert":"Op\u00e9ra de Dijon","lien_de_la_billetterie":""},{"date":"2019-02-05 20:00:00","lieu":"Dijon, France","salle_de_concert":"Op\u00e9ra de Dijon","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9218\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/4977"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=9218"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=9218"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=9218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}