{"id":9214,"date":"2021-12-12T12:23:32","date_gmt":"2021-12-12T11:23:32","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/rossi-il-palazzo-incantato\/"},"modified":"2023-12-03T14:41:16","modified_gmt":"2023-12-03T13:41:16","slug":"rossi-il-palazzo-incantato","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/rossi-il-palazzo-incantato\/","title":{"rendered":"Rossi, Il Palazzo Incantato"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-2-&#xA9;Gilles-abegg-1024x682.jpeg\" alt=\"\" class=\"wp-image-4923\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-constrained wp-container-core-column-is-layout-254f1302 wp-block-column-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:50%\">\n<h4 class=\"wp-block-heading has-text-align-left\">In an enchanted palace-labyrinth, the sorcerer Atlantes imprisons knights and ladies and drives them mad. The story unfolds through a series of inventive and intriguing lamenti, arias and ensembles that bloom during an ephemeral Roman spring.<\/h4>\n\n\n\n<p><em>\u201cCease your tears and your prayers,<br\/>For tears are prayers are scattered by the wind.\u201d<\/em><\/p>\n\n\n\n<p><em><strong>From Il Palazzo Incantato<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The palace of curses<\/h2>\n\n\n\n<p>Luigi Rossi&#8217;s <em>Orfeo<\/em> was a milestone in the development of 17th-century French opera. While it has been staged multiple times, the same cannot be said for the composer\u2019s first and only other operatic work, Il Palazzo incantato, which premiered in Rome in February 1642. After resurrecting <em>La Finta Pazza<\/em>, Leonardo Garc\u00eda Alarc\u00f3n brings this production of Rossi\u2019s forgotten opera to Dijon, in collaboration with Fabrice Murgia.<\/p>\n\n\n\n<p>Staging Il Palazzo incantato is a massive undertaking that involves 16 soloists, double and triple choirs of 6 and 12 voices and numerous ballet sequences. The premiere lasted for seven hours. <em>Il Palazzo<\/em> marks the end of Roman opera. It is based on a libretto by Cardinal Rospigliosi, who would later become Pope Clement IX. It was the first time that Ariosto\u2019s <em>Orlando Furioso<\/em> \u2013 a masterpiece of Italian poetry with a long operatic history \u2013 was adapted into opera. With the help of singers, actors, acrobats and dancers, Fabrice Murgia turns this masterpiece into a festive celebration of the genre.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Il Palazzo Incantato, Luigi Rossi (Excerpt)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/RyIQ3jj14XQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Palazzo Incantato, Azione in musica<\/strong><br\/><em>With a prologue and three acts<\/em><\/p>\n\n\n\n<p><strong>Music<\/strong> &#8211; <strong>Luigi Rossi<\/strong><br\/><strong>Libretto<\/strong> &#8211; <strong>Giulio Rospigliosi<\/strong><em> <\/em>(future Pope Clement IX) <em>based on<\/em> <em>Arioste&#8217;s<\/em> Orlando furioso<\/p>\n\n\n\n<p>First performed at the<em> Teatro delle Quattro Fontane Palazzo Barberini in Rome on 22 February 1642<\/em><br\/><em>A new production of the Op\u00e9ra de Dijon<\/em><\/p>\n\n\n\n<p><em>Performed in Italian with French surtitles<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        See our other productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Artists<\/h2>\n\n\n\n<p><strong>Victor Sicard<\/strong>, baritone &#8211; <em>Orlando<\/em><br\/><strong>Arianna Vendittelli<\/strong>, soprano &#8211; <em>Angelica<\/em><br\/><strong>Fabio Tr\u00fcmpy<\/strong>, tenor &#8211; <em>Ruggiero<\/em><br\/><strong>Deanna Breiwick<\/strong>, soprano &#8211; <em>Bradamante \/ Pittura<\/em><br\/><strong>Mark Milhofer<\/strong>, tenor &#8211; <em>Atlante<\/em><br\/><strong>Luc\u00eda Mart\u00edn-Cart\u00f3n<\/strong><em> <\/em>, soprano &#8211; <em>Olympia \/ Musica<\/em><br\/><strong>Mariana Flores<\/strong>, soprano &#8211; <em>Marfisa \/ Magia \/ Doralice<\/em><br\/><strong>Grigory Soloviov<\/strong>, bass &#8211; <em>Gigante \/ Sacripante \/ Gradasso<\/em> <br\/><strong>Kacper Szel\u0105\u017cek<\/strong>, countertenor &#8211; <em>Prasildo \/ Finardo<br\/><\/em><strong>Andr\u00e9 Lacerda<\/strong>, tenor &#8211; <em>Alceste<\/em><br\/><strong>Valerio Contaldo<\/strong>, tenor &#8211; <em>Ferrau \/ Astolfo<\/em><br\/><strong>Gwendoline Blondeel<\/strong>, soprano &#8211; <em>Fiordiligi \/ Poesia<\/em><br\/><strong>Alexander Miminoshvili<\/strong>, bass baritone &#8211; <em>Mandricardo<\/em><\/p>\n\n\n\n<p><strong>Fabrice Murgia<\/strong>, staging<br\/><strong>Vincent Lemaire<\/strong>, set<br\/><strong>Clara Peluffo Valentini<\/strong>, costumes <br\/><strong>Giacinto Caponio<\/strong>, video <br\/><strong>Emily Brassier | Giacinto Capanio<\/strong>, lighting<\/p>\n\n\n\n<p><strong>Cappella Mediterranea<br\/>Ch\u0153ur de l&#8217;Op\u00e9ra de Dijon <br\/>Ch\u0153ur de chambre de Namur<\/strong><br\/><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong>, musical direction<\/p>\n\n\n\n<p>Ensemble and Artists in residence<\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h2 class=\"wp-block-heading\">Interview with Leonardo Garc\u00eda Alarc\u00f3n<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Interview by Resmusica<\/h4>\n\n\n\n<p><strong>RM: <em>Why did you choose to bring this work to life on stage?<\/em> <\/strong><\/p>\n\n\n\n<p><strong>LGA:<\/strong> People ought to know about <em>Il Palazzo Incantato<\/em> since Luigi Rossi&#8217;s work occupies such an important position in the history of music \u2013 not only Roman or Italian music, but also French opera. In 1646, his <em>Orfeo<\/em> became the first opera to be commissioned in France. He was an ardent admirer of Claudio Monteverdi and we can find copies of several of Monteverdi\u2019s pieces written in Rossini&#8217;s hand. Il Palazzo Incantato was composed in 1642, just a few months before Monteverdi\u2019s <em>Incoronazione di Poppea<\/em>. From a historical point of view, I thought it was important to draw attention to Rossi and this particular work.<\/p>\n\n\n\n<p><strong>RM: <em>If you had to tell us about the story in just a few words&#8230;<\/em><\/strong><\/p>\n\n\n\n<p><strong>LGA:<\/strong> This story is reminiscent of the battle between Tancredi and Clorinda. Atlantes is the guardian of Ruggiero, a Saracen. In order to protect Ruggiero from his love for Bradamante, a Christian lady, Atlantes builds an enchanted palace that will engulf anyone who comes near it. The palace sedates desires. Many love stories and couples are absorbed by the palace, generating several parallel stories. But Atlantes cannot prevent Ruggiero and Bradamante from meeting up. At one point, he even uses his magic to duplicate Ruggiero, who becomes a sort of hologram. Bradamante hears two Ruggieros singing, but cannot tell which is the real one. In a way, this enchanted palace mirrors our lives. We don&#8217;t know whether this life is really our life or if we are being dreamt by someone else. Above all, this story shows us that reality, desire and love cannot be stopped, even by a magician as powerful as Atlantes.<\/p>\n\n\n\n<p><strong>RM: <em>Can you briefly tell us about how this new production was developed? <\/em><\/strong><\/p>\n\n\n\n<p>[\u2026] Video plays a very important role in this show. It creates a kind of fourth dimension. Characters are filmed, even when they are inside the palace. We are therefore exposed to an alternate reality that mirrors what is taking place on stage. In other words, the reality on stage is superimposed with another reality, as the characters and action in the palace are continually filmed by two cameramen. It almost becomes a separate set, one where emotions are fuelled by the facial expressions of the singers.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.resmusica.com\/2021\/09\/29\/leonardo-garcia-alarcon-confine-dans-le-palais-enchante-de-rossi\/\" target=\"_blank\" rel=\"noreferrer noopener\">See full interview<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h2 class=\"wp-block-heading\">What the press is saying<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Le Monde<\/h4>\n\n\n\n<p>\u201cThis almost Pharaonic undertaking remains a crowning achievement. It joins the trilogy of Baroque operas resurrected by the talented Leonardo Garc\u00eda Alarc\u00f3n. After Antonio Draghi&#8217;s  <em>El Prometeo<\/em>in 2018 (with a Spanish libretto) and Francesco Sacrati&#8217;s <em>La Finta Pazza<\/em>in 2019, Garcia Alarcon, who is currently in residence in Bourgone with his ensemble Cappella Mediterranea, brings us <em>Palazzo incantato<\/em> , a work that has not been staged since its premiere in Rome in February 1642 at the Teatro delle Quattro Fontane of Palazzo Barberini. This production also brings to life a dream that the Argentine harpsichordist and conductor has held on to for two decades after stumble upon the manuscript score of this masterpiece in the Vatican Library in 1999.\u201d<br\/><em><strong>Marie-Aude Roux for Le Monde<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.lemonde.fr\/culture\/article\/2020\/12\/11\/opera-le-palais-enchante-de-luigi-rossi-metaphore-du-confinement_6062992_3246.html\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Olyrix<\/h4>\n\n\n\n<p>\u201cRossi&#8217;s music, which reached new heights with his <em>Orfeo<\/em>, never ceases to amaze with its inventiveness, the quality of the ensemble numbers, the particularly challenging choral parts, the relative brevity of the arias and, above all, the expressive power of the choral and instrumental ensembles. Leonardo Garc\u00eda-Alarc\u00f3n&#8217;s passion for early music continues to grow and renew itself. Here, he directs the irreproachable and fervent Cappella Mediterranea, delivering an interpretation that is melodious and imbued with sensitivity, radiance and absolute conviction, thereby conferring nobility upon Luigi Rossi&#8217;s enchanted Palazzo.\u201d   <br\/><em><strong>Jos\u00e9 Pons for Olyrix<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.olyrix.com\/articles\/production\/4513\/le-palais-enchante-rossi-decembre-2020-article-critique-compte-rendu-palazzo-incantato-recreation-opera-dijon-alarcon-murgia-lemaire-valentini-caponio-sicard-vendittelli-trumpy-breiwick-milhofer-carton-flores-soloviov-szelazek-lacerda-contaldo-blondeel\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Op\u00e9ra National de Lorraine<\/h4>\n\n\n\n<p>\u201cIn <em>Il Palazzo Incantato<\/em>, Fabrice Murgia displays a deep passion for life and an urgency to create, <em>as if he were presenting this work to the world one last time<\/em>. The Belgian director \u2013 who describes himself as the offspring of Brecht and Spielberg \u2013 excels in the art of <em>live video<\/em>, destabilising our perception of reality. His production is set in the lonely places of contemporary mythology \u2013 an airport, hospital, hotel room, visiting room \u2013 where the lost souls of Atlante&#8217;s palace come to lose themselves. Working closely with Leonardo Garc\u00eda Alarc\u00f3n, he revives the fragments of the opera that have survived the passage of time to release their full dramatic power.\u201d   <br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.opera-national-lorraine.fr\/fr\/activity\/326-le-palais-enchante-rossi\" target=\"_blank\">See full article<\/a><\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"676\" height=\"1024\" data-id=\"4921\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Palazzo-1-676x1024.jpg\" alt=\"\" class=\"wp-image-4921\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-1-676x1024.jpg 676w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-1-198x300.jpg 198w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-1-768x1163.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-1.jpg 1000w\" sizes=\"auto, (max-width: 676px) 100vw, 676px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"774\" height=\"1024\" data-id=\"4931\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Palazzo-6-774x1024.jpg\" alt=\"\" class=\"wp-image-4931\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-6-774x1024.jpg 774w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-6-227x300.jpg 227w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-6-768x1016.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-6.jpg 1000w\" sizes=\"auto, (max-width: 774px) 100vw, 774px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"1024\" data-id=\"4929\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Palazzo-5-bis-654x1024.jpg\" alt=\"\" class=\"wp-image-4929\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-5-bis-654x1024.jpg 654w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-5-bis-192x300.jpg 192w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-5-bis-768x1203.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-5-bis-981x1536.jpg 981w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-5-bis.jpg 1000w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"620\" data-id=\"4933\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Palazzo-7-1024x620.jpg\" alt=\"\" class=\"wp-image-4933\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-7-1024x620.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-7-300x182.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-7-768x465.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Palazzo-7.jpg 1250w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n\n<section class=\"container partenaires-telechargements no-file\">\n\n    <div class=\"partenaires\">\n        <h3>Our partners<\/h3>\n        <div class=\"partenaires_content\">\n                            <div class=\"partenaire_item\" data-call-modal=\"\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"\" height=\"\" src=\"\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"\" height=\"\" src=\"\" alt=\"\" title=\"\" >\n                        <p>This production is supported by Op\u00e9ra national de Lorraine<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                            <div class=\"partenaire_item\" data-call-modal=\"\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"\" height=\"\" src=\"\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"\" height=\"\" src=\"\" alt=\"\" title=\"\" >\n                        <p>This production is supported by the Op\u00e9ra de Dijon<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                            <div class=\"partenaire_item\" data-call-modal=\"theatredecaen-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"370\" height=\"370\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/TheatredeCaen-e1688368694587.jpeg\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"theatredecaen-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"370\" height=\"370\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/TheatredeCaen-e1688368694587.jpeg\" alt=\"\" title=\"TheatredeCaen\" >\n                        <p>This production is supported by the Th\u00e9\u00e2tre de Caen<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                            <div class=\"partenaire_item\" data-call-modal=\"logo-2\">\n                    <img decoding=\"async\" loading=\"lazy\" width=\"750\" height=\"450\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/logo-e1688368713248.jpeg\" alt=\"\">\n                <\/div>\n\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"logo-2\">\n                    <div class=\"content-modal col1\">\n                        <img decoding=\"async\" loading=\"lazy\" width=\"750\" height=\"450\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/logo-e1688368713248.jpeg\" alt=\"\" title=\"logo\" >\n                        <p>This production is supported by the Op\u00e9ra Royal &#8211; Ch\u00e2teau de Versailles Spectacles<\/p>\n                        <span class=\"icon-close\"><\/span>\n                    <\/div>\n                <\/div>\n\n                    <\/div>\n    <\/div>\n    <\/section><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"In an enchanted palace-labyrinth, the sorcerer Atlantes imprisons knights and ladies and drives them mad. The story unfolds through a series of inventive and intriguing lamenti, arias and ensembles that bloom during an ephemeral Roman spring.","protected":false},"featured_media":4926,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[67],"class_list":["post-9214","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-opera"],"acf":{"concerts":[{"date":"2021-12-12 15:00:00","lieu":"Versailles, France","salle_de_concert":"Op\u00e9ra royal de Versailles","lien_de_la_billetterie":""},{"date":"2021-12-11 19:00:00","lieu":"Versailles, France","salle_de_concert":"Op\u00e9ra royal de Versailles","lien_de_la_billetterie":""},{"date":"2021-10-06 20:00:00","lieu":"Nancy, France","salle_de_concert":"Op\u00e9ra national de Lorraine","lien_de_la_billetterie":""},{"date":"2021-10-05 20:00:00","lieu":"Nancy, France","salle_de_concert":"Op\u00e9ra national de Lorraine","lien_de_la_billetterie":""},{"date":"2021-10-03 15:00:00","lieu":"Nancy, France","salle_de_concert":"Op\u00e9ra national de Lorraine","lien_de_la_billetterie":""},{"date":"2021-02-15 12:00:00","lieu":"Online until 29 March","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2021-02-03 20:30:00","lieu":"Online until 29 March","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2021-12-31 23:00:00","lieu":"From Dijon, France","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2020-12-17 20:00:00","lieu":"Virtual recording from Op\u00e9ra de Dijoin's auditorium on the scheduled dates and times","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2020-12-15 20:00:00","lieu":"Virtual recording from Op\u00e9ra de Dijoin's auditorium on the scheduled dates and times","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2020-12-13 20:00:00","lieu":"Virtual recording from Op\u00e9ra de Dijoin's auditorium on the scheduled dates and times","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2020-12-11 20:00:00","lieu":"Virtual recording from Op\u00e9ra de Dijoin's auditorium on the scheduled dates and times","salle_de_concert":"","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9214\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/4926"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=9214"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=9214"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=9214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}