{"id":9127,"date":"2020-09-11T16:00:13","date_gmt":"2020-09-11T14:00:13","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/venetian-baroque-heroines-from-francesco-cavalli-to-barbara-strozzi\/"},"modified":"2023-11-17T11:37:29","modified_gmt":"2023-11-17T10:37:29","slug":"venetian-baroque-heroines-from-francesco-cavalli-to-barbara-strozzi","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/venetian-baroque-heroines-from-francesco-cavalli-to-barbara-strozzi\/","title":{"rendered":"Venetian Baroque Heroines: from Francesco Cavalli to Barbara Strozzi"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/cappellamediterranea.com\/wp-content\/uploads\/Venetian-Centre-for-Baroque-Music-&#xA9;laure-jacquemin-6-1024x682.jpg\" alt=\"Heroines of the Venetian Baroque, Leonardo Garc&#xED;a Alarc&#xF3;n, Giuseppina Bridelli soprano, Scuola Grande di San Rocco, Cappella Mediterranea\" class=\"wp-image-3654\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:50%\">\n<h4 class=\"wp-block-heading has-text-align-left\">Mariana Flores and Leonardo Garc\u00eda Alarc\u00f3n&#8217;s ensemble, Cappella Mediterranea, present 17th century Venice from two different perspectives. The heroines of Francesco Cavalli&#8217;s operas mingle with the works of female composers of the time, including Barbara Strozzi and Antonia Bembo. The programme has become one of the artists\u2019 signature productions in recent years, never failing to transport audiences with its tales of heartbreak and joy.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p id=\"block-5f6af950-4331-447e-9944-f841f7e07df2\">&#8220;<em>When Mariana Flores sang Procris&#8217;s lamento for the first time alongside Cappella Mediterranea at Venice\u2019s Palazzo Pisani Moretta in September 2012, tears could be seen in the eyes of the audience. They realised that the adventure had only just begun&#8230;<\/em>&#8220;<\/p>\n<cite><strong>Olivier Lexa, Venice, April 2015<\/strong><\/cite><\/blockquote>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The art of loving<\/h2>\n\n\n\n<p class=\"has-text-align-left\">When Venice\u2019s Teatro di San Cassiano reopened in 1637, it was a major event in the history of opera. The protagonists of these new operas represented all the different social classes in the audience. Now it was not only gods, kings, empresses, dictators and courtesans who were welcomed on stage, but also nursemaids, valets, soldiers, philosophers, and above all lovers. Francesco Cavalli\u2019s 27 surviving operas offer us a fascinating portrait of this theatre of life. The extracts selected by Leonardo Garcia Alarcon are united by the expression of human passions. They range from candour to ecstasy, from joy to anger, from amorous passion (and its erotic and sensual nature) to despair. <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"HEROINES OF THE VENETIAN BAROQUE, FRANCESCO CAVALLI\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/mAPZsq57WMk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Francesco Cavalli<\/strong>: Le Nozze di Teti e di Peleo \u2014 Mira questi due lumi (Venere)<br\/><strong>Barbara Strozzi<\/strong>: Lagrime mie<br\/><strong>Claudio Monteverdi<\/strong>: Voglio di vita uscir<br\/><strong>Francesco Cavalli<\/strong>: Gli amori d\u2019Apollo e Dafne \u2014 Lamento d\u2019Apollo Misero Apollo (Instrumental)<br\/><strong>Francesco Cavalli<\/strong>: Oristeo \u2014 Dimmi, amor che faro (Diomeda)<br\/><strong>Antonia Bembo<\/strong>: M\u2019ingannasti in verit\u00e0<br\/><strong>Barbara Strozzi<\/strong>: Che si pu\u00f2 fare<\/p>\n\n\n\n<p><strong>Francesco Cavalli<\/strong>: Eliogabalo \u2014 Sinfonia (instrumental)<br\/><strong>Francesco Cavalli<\/strong>: Il Giasone \u2014 Lassa, che far degg\u2019io (Isifile)<br\/><strong>Barbara Strozzi<\/strong>: L\u2019amante segreto<br\/><strong>Biagio Marini<\/strong>: La Caotorta (instrumental)<br\/><strong>Barbara Strozzi<\/strong>: \u00e8 Pazzo il mio core<br\/><strong>Francesco Cavalli<\/strong>: Ercole amante \u2014 E vuol dunque Ciprigna (Giunone)<\/p>\n\n\n\n<p><em>Performance running time: approx. 2 hours<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Artists<\/h2>\n\n\n\n<p><strong>Mariana Flores<\/strong>, soprano<br\/><strong>Juan Manuel Quintana<\/strong>, viola de gamba<br\/><strong>Marie Bournisien<\/strong>, harp<br\/><strong>Quito Gato<\/strong>, theorbo and guitar<\/p>\n\n\n\n<p><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong>, harpsichord, organ and direction<br\/><strong>Cappella Mediterranea<\/strong><\/p>\n\n\n\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/post-discographie\/disques-de-lga-2-2-5-4\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    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class=\"wp-image-3646\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"3661\" src=\"http:\/\/cappellamediterranea.com\/wp-content\/uploads\/Venetian-Centre-for-Baroque-Music-&#xA9;laure-jacquemin-5-1024x681.jpg\" alt=\"Heroines of the Venetian Baroque, Miguel Rinc&#xF3;n Th&#xE9;orbe, Scuola Grande di San Rocco, Cappella Mediterranea\" class=\"wp-image-3661\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"3652\" src=\"http:\/\/cappellamediterranea.com\/wp-content\/uploads\/Venetian-Centre-for-Baroque-Music-&#xA9;laure-jacquemin-1-1024x681.jpg\" alt=\"Heroines of the Venetian Baroque, Marie Bournisien Harpe Scuola Grande di San Rocco, Cappella Mediterranea\" class=\"wp-image-3652\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"3650\" src=\"http:\/\/cappellamediterranea.com\/wp-content\/uploads\/Venetian-Centre-for-Baroque-Music-&#xA9;laure-jacquemin-4-1024x681.jpg\" alt=\"Heroines of the Venetian Baroque, Giuseppina Bridelli, Mariana Flores, Leonardo Garc&#xED;a Alarc&#xF3;n, Scuola Grande di San Rocco, Cappella Mediterranea\" class=\"wp-image-3650\"\/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7b03422c wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-right:0;padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        See our other productions    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The heroines of Francesco Cavalli&#8217;s operas mingle with the works of female composers of the time, including Barbara Strozzi and Antonia Bembo.","protected":false},"featured_media":12528,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[63],"class_list":["post-9127","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-small-scale-concert"],"acf":{"concerts":[{"date":"2020-09-11 20:00:00","lieu":"Li\u00e8ge, Belgium","salle_de_concert":"\u00c9glise Saint Jacques","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/9127\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/12528"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=9127"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=9127"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=9127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}