{"id":9105,"date":"2023-09-09T15:09:41","date_gmt":"2023-09-09T13:09:41","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/fiesta-barroca\/"},"modified":"2025-06-06T14:27:01","modified_gmt":"2025-06-06T12:27:01","slug":"fiesta-barroca","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/fiesta-barroca\/","title":{"rendered":"Fiesta Barroca"},"content":{"rendered":"\n
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The Codex Martinez Compa\u00f1on<\/em> bears witness to the vitality of 18th-century vocal music in South America, and more specifically in Peru: the themes, telescoped with great fantasy and invention, range cheerfully from the religious to the secular; they are based on texts in Spanish and sometimes use indigenous languages, which add their strangeness. Leonardo Garc\u00eda-Alarc\u00f3n invites us to discover these festive Baroque creations issued from the encounter between Spanish rhythms and indigenous traditions.<\/h4>\n<\/div>\n<\/div>\n\n
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Between the religious and the secular<\/h2>\n\n\n\n

During the eighteenth century, taxonomists and naturalists were seeking to classify people, facts and events, according to ethnical criterias In his Codex<\/em>, Bishop Jaime Baltasar Mart\u00ednez Compa\u00f1on applies these same principles to music, classifying and identifying the most significant contributions of Baroque music to the oral tradition in Northern Peru. In order to understand how music evolved and developed from the time of the Incas to present day, we can turn to Spanish chronicles written at the end of the sixteenth century and the beginning of the seventeenth century. As for the growth of Afro-Creole music, we have examined studies on eighteenth-century documents and observed how the form, instrumentation and performance style of the music described in the chronicles has evolved today. <\/p>\n<\/div>\n\n\n\n

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Prochaines dates<\/h2>\n\n
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Program<\/h2>\n\n\n\n

Yya\u00ee Jesuchristo<\/strong> (Dulce Jes\u00fas m\u00edo)<\/em>Anonymous author (ca.1740) \/ Archivo misional jesu\u00edtico de Chiquitos – Bolivia<\/p>\n\n\n\n

Sonata \u201cPastoreta Ychepe Flauta\u201d<\/strong><\/em> pour flute, strings and basso continuoAnonymus author (ca. 1740) \/ Archivo misional jesu\u00edtico de Chiquitos – Bolivia <\/p>\n\n\n\n

Vaya de Xacara amigos<\/strong><\/em>Raphael Antonio Castellanos (Antigua Guatemala, 1765 \u2013 Ciudad de Guatemala, 1791)<\/p>\n\n\n\n

Codex \u201cBaltasar Mart\u00ednez Compa\u00f1\u00f3n\u201d <\/strong>Anonymous author (ca. 1785) \/ Di\u00f3cesis de Trujillo – P\u00e9rou<\/p>\n\n\n\n