{"id":9101,"date":"2024-03-19T14:47:43","date_gmt":"2024-03-19T13:47:43","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/falvetti-nabucco\/"},"modified":"2024-10-11T11:00:04","modified_gmt":"2024-10-11T09:00:04","slug":"falvetti-nabucco","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/falvetti-nabucco\/","title":{"rendered":"Falvetti, Nabucco"},"content":{"rendered":"\n
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\"Nabucco<\/figure>\n<\/div>\n\n\n\n
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Falvetti uses this palette of different styles and melodic, rhythmic and harmonic variations to masterfully portray each character at different moments in the plot and underline the meanings of the text.<\/h4>\n\n\n\n

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Le timbre chaud de Mariana Flores dans la fournaise de \u00ab Nabucco \u00bb\r\n\r\nLes excellents musiciens de la Cappella Mediterranea et du Ch\u0153ur de chambre de Namur, sous la direction \u00e9lectrisante de Leonardo Garc\u00eda Alarc\u00f3n, ont magistralement servi cette partition riche et contrast\u00e9e, \u00e9tonnamment th\u00e9\u00e2trale, subtile et sensuelle. Le chef d’orchestre argentin y a finement int\u00e9gr\u00e9 des percussions iraniennes, fl\u00fbtes ney et kaval, hautbois duduk, venus des traditions turco-arm\u00e9niennes. Le solide plateau de solistes a \u00e9t\u00e9 largement domin\u00e9 par le timbre chaud et l’engagement radieux de la soprano argentine Mariana Flores.<\/p>\n

Marie-Aude Roux<\/p>\n <\/div>\n

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Sous les vo\u00fbtes de l\u2019abbatiale d\u2019Ambronay, la magie de la m\u00e9tamorphose op\u00e8re d\u2019embl\u00e9e.<\/p>\n

Fabrice Malkani<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n

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A six-voice biblical dialogue <\/h2>\n\n\n\n

Michelangelo Falvetti (1642 – 1692) composed many works, including polyphonic masses, concertante psalms and motets for soloists or several voices with basso continuo. Only two magnificent Dialoghi have survived in their entirety: Il Diluvio universale, a work for five voices that dates from 1682, and Il Nabucco, a work for six voices first performed in Messina in 1683. In these two masterful scores, Falvetti demonstrates what an accomplished musician he is. He was an expert in the Roman and Venetian Baroque musical traditions, and his music is characterised by a Baroque sensuality and expressiveness. These qualities already emerged in Leonardo Garc\u00eda Alarc\u00f3n\u2019s refined interpretation of Diluvio universale, with Cappella Mediterranea and the Ch\u0153ur de chambre de Namur (Ambronay Festival 2010 and 2011). Nabucco is no less extraordinary.<\/p>\n<\/div>\n\n\n\n

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