{"id":7166,"date":"2018-03-16T11:39:53","date_gmt":"2018-03-16T10:39:53","guid":{"rendered":"https:\/\/cappellamediterranea.com\/?post_type=post-concert&#038;p=7166"},"modified":"2024-12-16T16:22:57","modified_gmt":"2024-12-16T15:22:57","slug":"teatro-dei-sensi-duo","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/teatro-dei-sensi-duo\/","title":{"rendered":"Teatro Dei Sensi &#8211; Duo"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Teatro dei Sensi - Cavalli (M. Flores, G. Bridelli, Cappella Mediterranea)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/s4L6-7QDH2Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Un panorama des op\u00e9ras v\u00e9nitiens de Cavalli<\/h2>\n\n\n\n<p>Avec cette&nbsp;cr\u00e9ation<strong>&nbsp;Teatro dei Sensi<\/strong>, Cappella Mediterranea et Leonardo Garc\u00eda-Alarc\u00f3n nous offrent un panorama des op\u00e9ras v\u00e9nitiens de Francesco Cavalli, en commen\u00e7ant par une sc\u00e8ne des&nbsp;<em>Nozze di Teti<\/em>&nbsp;(1639) et en terminant avec le final de son dernier op\u00e9ra,&nbsp;<em>Eliogabalo<\/em>&nbsp;(1668).<\/p>\n\n\n\n<p>Non seulement ce programme en duo permet de d\u00e9couvrir l\u2019\u00e9volution stylistique de l\u2019op\u00e9ra v\u00e9nitien au 17e si\u00e8cle, mais aussi il est construit comme une histoire en soi, un op\u00e9ra d\u2019op\u00e9ras int\u00e9grant les diff\u00e9rents personnages dans une histoire imaginaire.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Le nozze di Teti e di Peleo<\/strong> (1639) <br>\u00ab Mira questi due lumi \u00bb &#8211; Venere (Mariana Flores)<br>\u00ab Hor con pania e con esca \u00bb 1\u201920 &#8211; Tetide (Mariana Flores) et Meleagro (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>La Daphne (1640)<br><\/strong>Lamento \u00ab Volgi, deh volgi il piede \u00bb &#8211; Procris (Mariana Flores)<\/p>\n\n\n\n<p><strong>La Didone (1641)<br><\/strong>\u00ab Qual hor ondeggia \u00bb &#8211; Didone (Mariana Flores) Iarba (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>La virtu de Strali d\u2019Amore (1642) <br><\/strong>\u00ab Occhi per pianger nati \u00bb &#8211; Eum\u00e8te (Mariana Flores)<\/p>\n\n\n\n<p><strong>L\u2019Egisto (1643)<br><\/strong>\u00ab Amanti, se credete \u00bb &#8211; Climene (Mariana Flores)<\/p>\n\n\n\n<p><strong>L\u2019Ormindo (1644) <br><\/strong>\u00abNon mi \u00e8 patria l\u2019Olimpo \u00bb &#8211; L\u2019Armonia (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>La Doriclea (1645) <br><\/strong>\u00ab Udite, Amanti \u00bb Eurinda &#8211; Pi\u00e8ce instrumentale (arrangement)<\/p>\n\n\n\n<p><strong>Il Giasone (1649)<br><\/strong>\u00ab Lassa que far degg\u2019io \u00bb &#8211; Isifile (Mariana Flores)<br>\u00ab Dell\u2019antro magico stridenti Cardini \u00bb &#8211; Medea (Giuseppina Bridelli )<\/p>\n\n\n\n<p><strong>L\u2019Orimonte (1650)<br><\/strong>\u00ab Caro Ernesto \u00bb &#8211; Ernesto (Mariana Flores), Cleanta (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>L&#8217;Oristeo (1651)<br><\/strong>\u00ab Dimmi, Amor, che far\u00f2 \u00bb &#8211; Diomeda (Mariana Flores)<\/p>\n\n\n\n<p><strong>La Rosinda (1651) <br><\/strong>\u00ab Non col ramo di Cuma \u00bb &#8211; Nerea (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>La Calisto (1652)<br><\/strong>\u00ab T\u2019aspetto e tu non vieni \u00bb &#8211; Calisto (Mariana Flores)<br>\u00ab Dolcissimi baci \u00bb &#8211; Diana (Mariana Flores), Endimione (Giuseppina Bridelli).<\/p>\n\n\n\n<p><strong>L&#8217;Orione (1653)<br><\/strong>Sinfonia &#8211; Pi\u00e8ce instrumentale <\/p>\n\n\n\n<p><strong>L&#8217;Eritrea (1652)<br><\/strong>\u00ab Oh bella facella \u00bb &#8211; Eritrea (Mariana Flores), Misena (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>Il Ciro (1654)<br><\/strong>\u00ab Mia vita, mio bene \u00bb Elmera, Clopilda &#8211; Pi\u00e8ce instrumentale (arrangement)<\/p>\n\n\n\n<p><strong>Xerse (1655)<br><\/strong>\u00ab Ed \u00e8 pur vero, o core \u00bb &#8211; Adelanta (Mariana Flores)<\/p>\n\n\n\n<p><strong>L&#8217;Erismena (1655)<br><\/strong>\u00ab Occhi belli \u00bb &#8211; Erismena (Mariana Flores), Aldimira (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>La Statira (Statira principessa di Persia) (18 janvier 1655)<br><\/strong>\u00ab Menfi, mia patria \u00bb &#8211; Ermosilla (Mariana Flores)<\/p>\n\n\n\n<p><strong>Impermestra (12 juin 1658)<br><\/strong>\u00ab Quest\u2019\u00e8 un gran caso \u00bb &#8211; Vafrino (Giuseppina Bridelli)<\/p>\n\n\n\n<p><strong>Il rapimento d&#8217;Helena (Elena) (1659)<br><\/strong>\u00ab Mia Speranza, mio Contento \u00bb &#8211; Elena (Giuseppina Bridelli), Menelao (Mariana Flores)<\/p>\n\n\n\n<p><strong>L&#8217;Ercole (Ercole amante) (7 f\u00e9vrier 1662)<br><\/strong>\u00ab E vuol dunque Ciprigna \u00bb &#8211; Giunone (Mariana Flores)<\/p>\n\n\n\n<p><strong>Scipione affricano (1664) <br><\/strong>Sinfonia<\/p>\n\n\n\n<p><strong>L&#8217;Eliogabalo (1667)<br><\/strong>\u00ab Pur ti stringo \u00bb &#8211; Alessandro (Giuseppina Bridelli), Flavia Gemmira (Mariana Flores).<\/p>\n\n\n\n<p><em>Dur\u00e9e totale de 69 minutes<\/em>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Distribution<\/h2>\n\n\n\n<p><strong>Leonardo Garc\u00eda&nbsp;<\/strong><strong>Alarc\u00f3n<\/strong><strong>,&nbsp;<\/strong>orgue, clavecin et direction<\/p>\n\n\n\n<p><strong>Mariana Flores,&nbsp;<\/strong>soprano<br><strong>Ambroisine<\/strong>&nbsp;<strong>Br\u00e9<\/strong><strong>,&nbsp;<\/strong>mezzo-soprano<\/p>\n\n\n\n<p><strong>Cappella&nbsp;<\/strong><strong>Mediterranea<\/strong><\/p>\n\n\n\n<p><strong>Stephanie<\/strong>&nbsp;<strong>de&nbsp;Failly, Amandine&nbsp;Solano,&nbsp;<\/strong>violons&nbsp;<br><strong>Juan Manuel Quintana,&nbsp;<\/strong>viole de gambe<br><strong>Eric&nbsp;Mathot,<\/strong>contrebasse<br><strong>Maria Ferr\u00e9,&nbsp;<\/strong>th\u00e9orbe et guitare<br><strong>Giangiacomo<\/strong>&nbsp;<strong>Pinardi,&nbsp;<\/strong>archiluth<br><strong>Marie&nbsp;Bournisien,&nbsp;<\/strong>harpe<br><strong>Rodrigo&nbsp;Calveyra,&nbsp;<\/strong>fl\u00fbte \u00e0 bec, cornet<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ef350914 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        D\u00e9couvrir les autres productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ef350914 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Avec cette\u00a0cr\u00e9ation\u00a0Teatro dei Sensi, Cappella Mediterranea et Leonardo Garc\u00eda Alarc\u00f3n nous offrent un panorama des op\u00e9ras v\u00e9nitiens de Francesco Cavalli.","protected":false},"featured_media":11367,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[44],"class_list":["post-7166","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-concerts-en-petite-formation"],"acf":{"concerts":[{"date":"2018-03-16 20:00:00","lieu":"Yverdon-les-Bains, Suisse","salle_de_concert":"Th\u00e9\u00e2tre Benno Besson","lien_de_la_billetterie":""},{"date":"2016-10-16 17:00:00","lieu":"Pontoise, France","salle_de_concert":"Cath\u00e9drale Saint-Maclou","lien_de_la_billetterie":""},{"date":"2016-08-28 17:00:00","lieu":"Utrecht, Pays-Bas","salle_de_concert":"Tivoli Vredenburg, Hertz","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/7166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/7166\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/11367"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=7166"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=7166"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=7166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}