{"id":6848,"date":"2020-07-02T11:22:54","date_gmt":"2020-07-02T09:22:54","guid":{"rendered":"https:\/\/cappellamediterranea.com\/?post_type=post-concert&#038;p=6848"},"modified":"2025-05-16T16:17:08","modified_gmt":"2025-05-16T14:17:08","slug":"lga-temps-retrouve","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/lga-temps-retrouve\/","title":{"rendered":"Le temps retrouv\u00e9"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-1024x683.jpg\" alt=\"\" class=\"wp-image-11629\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-1024x683.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-300x200.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-768x512.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-1536x1024.jpg 1536w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Concert symphonique<\/h4>\n\n\n\n<p>Leonardo Garc\u00eda-Alarc\u00f3n convoque diff\u00e9rents si\u00e8cles. Plus que le choc des \u00e9poques toutefois, il montre la permanence des formes \u00e0 travers les si\u00e8cles. Un<em>\u00a0Concerto brandebourgeois<\/em>\u00a0de Bach et un <em>concerto grosso<\/em> de H\u00e4ndel ouvrent le programme. Puis Clara Schumann fait le lien avec Bach par le biais de ses variations, et Bloch le lien avec Haendel avec son propre concerto grosso.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Jean-S\u00e9bastien Bach<\/strong> &#8211;\u00a0<em>Concerto brandebourgeois n\u00b0 3<\/em><br><strong>Georg Friedrich H\u00e4ndel<\/strong> &#8211;\u00a0<em>Concerto grosso op. 6<\/em><br><strong>Clara Schumann<\/strong> &#8211;\u00a0<em>Fugues sur des th\u00e8mes de Bach<\/em><br><strong>Ernst Bloch<\/strong> &#8211;\u00a0<em>Concerto grosso n\u00b0 1<\/em><br><strong>Jean-S\u00e9bastien Bach<\/strong> &#8211;\u00a0<em>\u00ab Air \u00bb de l\u2019Ouverture pour orchestre n\u00b0 3 BWV 1068<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        D\u00e9couvrir les autres productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Distribution<\/h2>\n\n\n\n<p><strong>Orchestre Philharmonique de Radio France\u00a0<\/strong><br><strong>Leonardo\u00a0Garc\u00eda-Alarc\u00f3n,\u00a0<\/strong>direction<strong>\u00a0<\/strong><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Organiste et claveciniste, Leonardo Garc\u00eda Alarc\u00f3n propose un voyage in\u00e9dit \u00e0 travers pi\u00e8ces vocales et musiques pour orgue. Il nous invite \u00e0 explorer l&#8217;art de l&#8217;improvisation et de l&#8217;ornementation des grands clavi\u00e9ristes et compositeurs europ\u00e9ens des XVIIe et XVIIIe si\u00e8cles !","protected":false},"featured_media":12589,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[45],"class_list":["post-6848","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-leonardo-garcia-alarcon"],"acf":{"concerts":[{"date":"2020-07-02 20:00:00","lieu":"Paris, France","salle_de_concert":"Auditorium de Radio France","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/6848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/6848\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/12589"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=6848"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=6848"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=6848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}