{"id":6736,"date":"2020-09-12T14:01:30","date_gmt":"2020-09-12T12:01:30","guid":{"rendered":"https:\/\/cappellamediterranea.com\/?post_type=post-concert&#038;p=6736"},"modified":"2025-05-16T12:54:28","modified_gmt":"2025-05-16T10:54:28","slug":"europe-polyphonique-renaissance","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/europe-polyphonique-renaissance\/","title":{"rendered":"Europe polyphonique de la Renaissance"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-1024x683.jpg\" alt=\"\" class=\"wp-image-11629\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-1024x683.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-300x200.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-768x512.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates-1536x1024.jpg 1536w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Christophe-Filleule-Cantates.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Aux 16e et 17e si\u00e8cles, la Belgique \u00e9tait un centre musical tr\u00e8s actif jalous\u00e9 par les cours \u00e9trang\u00e8res. Des compositeurs comme Roland de Lassus ou Matheo Romero ont \u00e9t\u00e9 appel\u00e9s \u00e0 prodiguer leur art aux quatre coins de l\u2019Europe. <\/h4>\n\n\n\n<p>La musique de la Renaissance a cette sp\u00e9cificit\u00e9 d\u2019une \u00e9criture \u00e0 la fois polyphonique et horizontale, au contraire de celle qui suivra, \u00e0 l\u2019\u00e8re baroque, plus solistique et verticale. Dans un programme de musiques sacr\u00e9es, mettant \u00e0 l\u2019honneur des artistes d\u2019hier et d\u2019aujourd\u2019hui \u00abde chez nous\u00bb, c&#8217;est un concert pour se laisser porter par des chefs-d\u2019\u0153uvre, envout\u00e9s par les voix du Ch\u0153ur de Chambre de Namur sous la direction de son chef, Leonardo Garc\u00eda Alarc\u00f3n.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Juan V\u00e1zquez (<\/strong>1500-1560) &#8211; <em>Dizen \u00e1 mi que los amores h\u00e9<\/em><br><strong>Mateo Flecha&nbsp;<\/strong>(1481-1553) &#8211; <em>Si amores me han de matar \/ Si de uos mi bien me aparto<\/em><br><strong>Roland de Lassus (<\/strong>1532-1594) &#8211; <em>Musica Dei donum \/ In Hora ultima<\/em><br><strong>Jacques Arcadelt (<\/strong>1507-1568) &#8211; <em>Gloriosae&nbsp;Virginis Mariae&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<\/em><br><strong>Roland de Lassus&nbsp;<\/strong>(1532-1594) &#8211; <em>Quam pulchra es, et&nbsp;quam decora<\/em><br><strong>Pierre Bonhomme<\/strong>&nbsp;(1555-1617) &#8211; <em>Veni&nbsp;dilecte mi <\/em><br><strong>Gilles-Henri Hayne&nbsp;<\/strong>(1590-1650) &#8211; <em>Regina Coeli<\/em><br><strong>Leonard de Hod\u00e9mont<\/strong>&nbsp;(1575-1636) &#8211; <em>Salve Regina <\/em><br><strong>Matheo Romero&nbsp;<\/strong>(1575-1647) &#8211; <em>Soberana Mar\u00eda<\/em> \/ <em>In Devotione <\/em><br><strong>Gilles-Henri Hayne&nbsp;<\/strong>(1590-1650) &#8211; <em>Alma Redemptoris Mater &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        D\u00e9couvrir les autres productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Distribution<\/h2>\n\n\n\n<p><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong>,&nbsp;Direction et orgue<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Choeur de Chambre de Namur<\/strong><\/li>\n\n\n\n<li><strong>Zo\u00e9 Pireau, Mathilde Sevrin<\/strong>, Soprano<\/li>\n\n\n\n<li><strong>Marie Jennes, Julie Vercauteren<\/strong>, Soprano 2<\/li>\n\n\n\n<li><strong>Ana\u00efs Brullez<\/strong>, <strong>NN<\/strong>, Alto<\/li>\n\n\n\n<li><strong>Pierre Derhet, Vincent Mahiat, Maxime Melnik<\/strong>, T\u00e9nor<\/li>\n\n\n\n<li><strong>Etienne Debaisieux, Philippe Favette*, Samuel Namotte<\/strong>, Basse&nbsp;<br><em>*Pr\u00e9parateur du Choeur<\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Cappella Mediterranea<\/strong><\/li>\n\n\n\n<li><strong>Marie Bournisien<\/strong>, harpe<\/li>\n\n\n\n<li><strong>Quito Gato<\/strong>, luth<\/li>\n<\/ul>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Dans un programme de musiques sacr\u00e9es, mettant \u00e0 l\u2019honneur des artistes d\u2019hier et d\u2019aujourd\u2019hui \u00abde chez nous\u00bb, c&#8217;est un concert pour se laisser porter par des chefs-d\u2019\u0153uvre, envout\u00e9s par les voix du Ch\u0153ur de Chambre de Namur sous la direction de son chef, Leonardo Garc\u00eda Alarc\u00f3n.","protected":false},"featured_media":7278,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[43],"class_list":["post-6736","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-concerts-en-grands-effectifs"],"acf":{"concerts":[{"date":"2020-09-12 17:00:00","lieu":"Falmignoul , Belgique","salle_de_concert":"Eglise St-Nicolas","lien_de_la_billetterie":""},{"date":"2020-09-12 20:00:00","lieu":"Falmignoul, Belgique","salle_de_concert":"Eglise St-Nicolas","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/6736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/6736\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/7278"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=6736"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=6736"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=6736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}