{"id":5742,"date":"2020-10-24T10:40:43","date_gmt":"2020-10-24T08:40:43","guid":{"rendered":"https:\/\/cappellamediterranea.com\/?post_type=post-concert&#038;p=5742"},"modified":"2024-03-23T16:55:33","modified_gmt":"2024-03-23T15:55:33","slug":"purcell-didon","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/purcell-didon\/","title":{"rendered":"Purcell, Didon et \u00c9n\u00e9e"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Didon_Enee_cFranck-Juery2-1024x682.jpg\" alt=\"\" class=\"wp-image-9640\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Didon_Enee_cFranck-Juery2-1024x682.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Didon_Enee_cFranck-Juery2-300x200.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Didon_Enee_cFranck-Juery2-768x512.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Didon_Enee_cFranck-Juery2.jpg 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-constrained wp-container-core-column-is-layout-254f1302 wp-block-column-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:50%\">\n<h4 class=\"wp-block-heading has-text-align-left\">C&#8217;est Henry Purcell qui offrit \u00e0 l&#8217;Angleterre le chef d&#8217;\u0153uvre fondateur de son r\u00e9pertoire dramatique : <em>Dido and \u00c6neas<\/em>. Op\u00e9ra court qui rev\u00eat les proportions d&#8217;une <em>serenata<\/em> ou d&#8217;un <em>intermezzo<\/em>, il pr\u00e9sente cependant une harmonieuse structure dramatique, d&#8217;une \u00e9tonnante puissance tragique pour sa concision. Sa partition r\u00e9ussie une synth\u00e8se harmonieuse des go\u00fbts fran\u00e7ais, italiens et anglais.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>&#8220;L\u2019amour, la tendresse, la peur de la mort, la peur de l\u2019abandon, la joie, la f\u00eate, l\u2019invocation des forces de la nature ou des dieux, la temp\u00eate et les sorci\u00e8res dans <\/em>Didon et \u00c9n\u00e9e<em>, tout cela existe depuis que l\u2019homme existe et c\u2019est cela que j\u2019essaie de partager avec les \u00e9tudiant\u00b7es. Dans l\u2019art, on utilise toute la palette des \u00e9motions, des plus vertueuses jusqu\u2019aux p\u00e9ch\u00e9s capitaux, on doit tout vivre : on peut aller chercher le c\u00f4t\u00e9 sombre des \u00e9motions et partager une catharsis.&#8221;<\/em><\/p>\n<cite><strong>Leonardo Garc\u00eda Alarc\u00f3n, propos recueillis par Judith Le Blanc<\/strong><\/cite><\/blockquote>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Une <em>fantasy<\/em><\/h2>\n\n\n\n<p>On nage ici en pleine&nbsp;<em>fantasy<\/em>&nbsp;: magiciennes, sorci\u00e8res, esprits malins, demi-dieux, rois et reines se croisent, rusent et s\u2019aiment \u00e0 en mourir, dans des partitions nourries d\u2019une mythologie antique d\u00e9j\u00e0 revisit\u00e9e par Virgile pour&nbsp;<em>La Temp\u00eate,<\/em>&nbsp;et Shakespeare pour&nbsp;<em>Didon et \u00c9n\u00e9e.<\/em>&nbsp;Purcell (1659-1695), dont on oublie qu\u2019il condensa sur une vie aussi courte que celle de Mozart de nombreux chefs-d\u2019\u0153uvre \u00e9crits pour la cour de Richard II, a ouvert la voie \u00e0 une forme typiquement anglaise de th\u00e9\u00e2tre musical, int\u00e9grant chant, ballet et spectacle, le tout infus\u00e9 d\u2019un imaginaire rocambolesque haut en couleur. Il n\u2019en faut pas plus pour que l\u2019ensemble Cappella Mediterranea de Leonardo Garc\u00eda Alarc\u00f3n, invite ici, avec la jeune g\u00e9n\u00e9ration de chanteurs issue de l\u2019Acad\u00e9mie de l\u2019Op\u00e9ra national de Paris, \u00e0 un voyage doublement extraordinaire.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dido &amp; Aeneas, Witche&#039;s dance - Henry Purcell\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/4CrAS3P_E6Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><strong>Purcell&nbsp;<\/strong><\/p>\n\n\n\n<p><em><strong>Didon et \u00c9n\u00e9e<\/strong> (Dido and \u00c6neas)<\/em><\/p>\n\n\n\n<p><strong>Avec des extraits du\u00a0<em>Roi Arthur<\/em>\u00a0et de\u00a0<em>La Temp\u00eate<\/em><\/strong><br><br><br><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/post-discographie\/disques-de-lga-2-2-5-16\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        D\u00e9couvrir le disque    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Distribution<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Sushaant Jaccard<\/strong>, fl\u00fbte \u00e0 bec<\/li>\n\n\n\n<li><strong>Sha\u00ef Kribus<\/strong>, hautbois I<\/li>\n\n\n\n<li><strong>Seung Kiung Lee<\/strong>, hautbois II<\/li>\n\n\n\n<li><strong>Philippe Miqueu<\/strong>, basson<\/li>\n\n\n\n<li><strong>Chouchane Siranossian<\/strong>, violon I<\/li>\n\n\n\n<li><strong>Pablo Gutierrez Ruiz<\/strong>, violon II<\/li>\n\n\n\n<li><strong>Pierre Vallet<\/strong>, violon alto<\/li>\n\n\n\n<li><strong>Oleguer Aymami Busque<\/strong>, violoncelle*<\/li>\n\n\n\n<li><strong>Eric Mathot<\/strong>, contrebasse<\/li>\n\n\n\n<li><strong>Quito Gato<\/strong>, th\u00e9orbe et guitare*<\/li>\n\n\n\n<li><strong>Hel\u00e8ne Diot<\/strong>, clavecin, orgue *<\/li>\n\n\n\n<li><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong>, clavecin, direction&nbsp;<\/li>\n<\/ul>\n\n\n\n<p>*continuo&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Pascal Neyron<\/strong>&nbsp;Mise en espace<\/li>\n\n\n\n<li><strong>Leonardo Garc\u00eda Alarc\u00f3n&nbsp;<\/strong>direction<\/li>\n\n\n\n<li><strong>Cappella Mediterranea<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>Chanteurs en r\u00e9sidence \u00e0 l\u2019Acad\u00e9mie de l\u2019Op\u00e9ra national de Paris<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Andrea Cueva Molnar<\/strong>, soprano &#8211; <em>B\u00e9linda***<\/em><\/li>\n\n\n\n<li><strong>Jeanne G\u00e9rard*<\/strong>, soprano &#8211; <em>Dorinda** \/ Seconde Suivante***<\/em><\/li>\n\n\n\n<li><strong>Kseniia Proshyna<\/strong>, soprano &#8211; <em>Amphitrite** \/ Premi\u00e8re Sorci\u00e8re***<\/em><\/li>\n\n\n\n<li><strong>Marie-Andr\u00e9e Bouchard Lesieur<\/strong>, mezzo-soprano &#8211; <em>Didon***<\/em><\/li>\n\n\n\n<li><strong>Ramya Roy<\/strong>, mezzo-soprano &#8211; <em>Ariel** \/ Seconde Sorci\u00e8re***<\/em><\/li>\n\n\n\n<li><strong>Fernando Escalona<\/strong>, contre-t\u00e9nor &#8211; <em>Magicienne***<\/em><\/li>\n\n\n\n<li><strong>Ki Up Lee<\/strong>, t\u00e9nor &#8211; <em>\u00c9ole** \/ Esprit***<\/em><\/li>\n\n\n\n<li><strong>Tobias Westman<\/strong>, t\u00e9nor &#8211; <em>Marin***<\/em><\/li>\n\n\n\n<li><strong>Alexander York<\/strong>, baryton  &#8211; <em>D\u00e9mon**<\/em><\/li>\n\n\n\n<li><strong>Alexander Ivanov<\/strong>, baryton &#8211; <em>Second D\u00e9mon**<\/em><\/li>\n\n\n\n<li><strong>Timoth\u00e9e Varon<\/strong>, baryton &#8211; <em>\u00c9n\u00e9e***<\/em><\/li>\n\n\n\n<li><strong>Niall Anderson<\/strong>, baryton-basse &#8211; <em>Neptune** \/ Premier D\u00e9mon**<\/em><\/li>\n\n\n\n<li><strong>Aaron Pendleton<\/strong>, basse  &#8211; <em>Neptune**<\/em><\/li>\n<\/ul>\n\n\n\n<p>* Artiste invit\u00e9e par l&#8217;Acad\u00e9mie de l\u2019Op\u00e9ra national de Paris<br>** La Temp\u00eate<br>*** Didon et \u00c9n\u00e9e<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ef350914 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        D\u00e9couvrir les autres productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n","protected":false},"excerpt":{"rendered":"C&#8217;est Henry Purcell qui offrit \u00e0 l&#8217;Angleterre le chef d&#8217;\u0153uvre fondateur de son r\u00e9pertoire dramatique : Dido and \u00c6neas. Op\u00e9ra court qui rev\u00eat les proportions d&#8217;une serenata ou d&#8217;un intermezzo, il pr\u00e9sente cependant une harmonieuse structure dramatique, d&#8217;une \u00e9tonnante puissance tragique pour sa concision. Sa partition r\u00e9ussie une synth\u00e8se harmonieuse des go\u00fbts fran\u00e7ais, italiens et anglais.","protected":false},"featured_media":9640,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[47],"class_list":["post-5742","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-operas-en-version-de-concert"],"acf":{"concerts":[{"date":"2020-10-24 18:00:00","lieu":"Evian, France","salle_de_concert":"La Grange au Lac","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/5742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/5742\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/9640"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=5742"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=5742"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=5742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}