{"id":1884,"date":"2021-10-12T17:45:00","date_gmt":"2021-10-12T15:45:00","guid":{"rendered":"https:\/\/cappellamediterranea.com\/?post_type=post-concert&#038;p=1884"},"modified":"2025-05-16T15:04:54","modified_gmt":"2025-05-16T13:04:54","slug":"mrl-emotions-rousseau","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/mrl-emotions-rousseau\/","title":{"rendered":"Les \u00e9motions en musique selon Rousseau"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/LGA-2020-01-Luis-Amaro-HD-1024x683.jpg\" alt=\"\" class=\"wp-image-12501\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/LGA-2020-01-Luis-Amaro-HD-1024x683.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/LGA-2020-01-Luis-Amaro-HD-300x200.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/LGA-2020-01-Luis-Amaro-HD-768x512.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/LGA-2020-01-Luis-Amaro-HD.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading has-text-align-left\">La Maison Rousseau et Litt\u00e9rature et l\u2019ensemble baroque&nbsp;<em>Cappella Mediterranea<\/em> proposent un format in\u00e9dit autour du r\u00e9pertoire de Gluck, Pergol\u00e8se et Rousseau. M\u00ealant histoire de la musique et litt\u00e9rature, le choix musical est ponctu\u00e9 de deux interludes. La&nbsp;com\u00e9dienne Caroline Cons y lit \u00abLa lettre de Saint-Preux \u00e0 Julie, I, XLVIII \u2013 Sur la musique italienne\u00bb tir\u00e9e de&nbsp;<em>Julie ou la Nouvelle H\u00e9lo\u00efse.<\/em><\/h4>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p><em>Sur proposition de Quentin Guerillot<\/em><\/p>\n\n\n\n<p><strong>1\u00e8re&nbsp;Partie Gluck<\/strong><\/p>\n\n\n\n<p>1\/ 1er mouvement Du concerto pour fl\u00fbte de Gl\u00fcck (jusqu&#8217;avant la cadence) 2&#8242;<br>2\/ Diane impitoyable. Iphig\u00e9nie en Aulide. GLUCK. Air de Agamemnon 4\u2019<br>3\/ Iphig\u00e9nie en Aulide : Act 1 &#8220;Peuvent-ils ordonner?&#8221; GLUCK Air de Agamemnon 4\u2019<\/p>\n\n\n\n<p><em>Dur\u00e9e d&#8217;environ 10 minutes<\/em>.<\/p>\n\n\n\n<p><strong>2<sup>\u00e8me<\/sup>&nbsp;Partir Pergol\u00e8se<\/strong><\/p>\n\n\n\n<p>1\/ Giovanni Legrenzi (1626-1690) La cetra, sonata seconda a quattro 4&#8242;<br>2\/ Introduzione &#8211; Aria &#8216;Aspettare E Non Venire&#8217; N\u00b0 1 PERGOLESI: La Serva Padrona 1\u201955<br>3\/ Sempre in contrasti &#8211; N\u00b02 PERGOLESI: La Serva Padrona 4\u201903<\/p>\n\n\n\n<p><em>Dur\u00e9e d&#8217;environ 10 minutes<\/em>.<\/p>\n\n\n\n<p><strong>3<sup>\u00e8me<\/sup>&nbsp;Partie Rousseau<\/strong><\/p>\n\n\n\n<p>1\/ Jean-Philippe Rameau (1685-1764) Extrait des Borr\u00e9ades, Acte 4 Sc\u00e8ne 4, Entr\u00e9e d&#8217;Abaris (seulement la premi\u00e8re reprise) 2&#8242;<br>2\/ Instrumental Ouverture Daphnis et Chlo\u00e9 4\u2019<br>3\/ Rousseau Daphnis &amp; Chlo\u00e9 &#8211; air de Phil\u00e9tas 4\u2019<\/p>\n\n\n\n<p><em>Dur\u00e9e d&#8217;environ 10 minutes<\/em>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Distribution<\/h2>\n\n\n\n<p><strong>Christian Senn<\/strong>, baryton<br><strong>Quentin Guerillot<\/strong>, direction, \u00e9pinette<br><strong>Khrystyna Sarksyan<\/strong>, fl\u00fbte<br><strong>Kee-Soon Bosseaux<\/strong>,&nbsp;Elena Califano, violons<br><strong>Julie Voisin-Banasiak<\/strong>, alto<br><strong>Carolina Plywaczewska<\/strong>, violoncelle<br><strong>Carles Dorador I Jov\u00e9<\/strong>, th\u00e9orbe<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/cappellamediterranea.com\/productions\/\">\n    <div class=\"content-circle\">\n        <div class=\"circle\"><\/div>\n    <\/div>\n    <span class=\"title\">\n        D\u00e9couvrir nos autres productions    <\/span>\n<\/a>\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"La Maison Rousseau et Litt\u00e9rature et l\u2019ensemble baroque\u00a0Cappella Mediterranea proposent un format in\u00e9dit autour du r\u00e9pertoire de Gluck, Pergol\u00e8se et Rousseau. M\u00ealant histoire de la musique et litt\u00e9rature, le choix musical est ponctu\u00e9 de deux interludes. La\u00a0com\u00e9dienne Caroline Cons y lit \u00abLa lettre de Saint-Preux \u00e0 Julie, I, XLVIII \u2013 Sur la musique italienne\u00bb tir\u00e9e de\u00a0Julie ou la Nouvelle H\u00e9lo\u00efse.","protected":false},"featured_media":10862,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[44],"class_list":["post-1884","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-concerts-en-petite-formation"],"acf":{"concerts":[{"date":"2021-10-12 20:00:00","lieu":"Gen\u00e8ve, France","salle_de_concert":"MRL Maison Rousseau Litt\u00e9rature","lien_de_la_billetterie":""}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/1884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/1884\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/10862"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=1884"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=1884"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=1884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}