{"id":15296,"date":"2026-05-21T11:00:31","date_gmt":"2026-05-21T09:00:31","guid":{"rendered":"https:\/\/cappellamediterranea.com\/?post_type=post-concert&p=15296"},"modified":"2026-05-21T17:53:54","modified_gmt":"2026-05-21T15:53:54","slug":"cavalli-ercole-amante","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/cavalli-ercole-amante\/","title":{"rendered":"Cavalli, Ercole amante"},"content":{"rendered":"\n
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\"\"<\/figure>\n<\/div>\n\n\n\n
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Command\u00e9 \u00e0 Cavalli dans la foul\u00e9e du mariage de Louis XIV avec l\u2019infante d\u2019Espagne, Ercole amante b\u00e9n\u00e9ficia des moyens fastueux de la cour de France. De cette trag\u00e9die du pouvoir absolu, Cavalli fit ainsi un divertissement grandiose.<\/strong><\/p>\n\n\n\n

Apr\u00e8s avoir revisit\u00e9 Ercole amante<\/em> d\u2019Antonia Bembo \u00e0 l\u2019Op\u00e9ra Bastille, Leonardo Garc\u00eda\u2011Alarc\u00f3n et Cappella Mediterranea s\u2019attaquent \u00e0 la version originale de Francesco Cavalli, monument du XVIIe<\/sup> si\u00e8cle, cr\u00e9\u00e9 au Louvre en 1662 pour les noces de Louis XIV. Alliant h\u00e9ro\u00efsme mythologique, passions amoureuses et \u00e9clat des f\u00eates royales, cette \u0153uvre embl\u00e9matique r\u00e9v\u00e8le toute la richesse du langage lyrique v\u00e9nitien que le chef explore depuis Elena<\/em>, Eliogabalo<\/em>, Erismena<\/em>, Il Giasone<\/em> et Pompeo Magno. La mise en sc\u00e8ne de Rapha\u00eblle Boitel et de sa Compagnie L\u2019Oubli\u00e9(e), m\u00ealant th\u00e9\u00e2tre visuel, acrobatie et po\u00e9sie du mouvement, promet une lecture spectaculaire et sensible.<\/p>\n\n\n\n


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Programme<\/h2>\n\n\n\n

Trag\u00e9die en cinq actes sur une musique de Francesco Cavalli et un livret de Francesco Buti, inspir\u00e9 par Les Trachiniennes<\/em> de Sophocle et du livre IX des M\u00e9tamorphoses<\/em> d\u2019Ovide, cr\u00e9\u00e9 en 1662 \u00e0 Paris dans la salle des Machines du palais des Tuileries.<\/p>\n\n\n\n

Dur\u00e9e :<\/strong> 3h avec entracte

Nouvelle production de l\u2019Op\u00e9ra de Dijon<\/strong>
Coproduction Cappella Mediterranea<\/strong><\/p>\n<\/div>\n\n\n\n

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Distribution<\/h2>\n\n\n\n

Leonardo Garc\u00eda\u2011Alarc\u00f3n<\/strong> | Direction musicale<\/em>
Rapha\u00eblle Boitel <\/strong>| Mise en<\/em> sc\u00e8ne & chor\u00e9graphie<\/em><\/p>\n\n\n\n

Tristan Baudoin<\/strong> | Sc\u00e9nographie et lumi\u00e8res
<\/em>Sandrine Rozier<\/strong> | Costumes<\/em><\/p>\n\n\n\n

Milan Siljanov<\/strong> | Ercole<\/em>
Ana Vieira Leite<\/strong> | Iole<\/em>
Solenn Lavanant-Linke<\/strong> | Dejanira<\/em>
Mariana Flores<\/strong> | Giunone<\/em>
Sophie Junker<\/strong> | Venere, Bellezza<\/em>
Luigi Morassi<\/strong> | Hyllo<\/em>
Logan Lopez Gonzalez<\/strong> | Paggio<\/em>
Marcel Beekman<\/strong> | Licco<\/em>
Maud Bessard-Morandas<\/strong> | Pasithea<\/em>
Staffan Liljas<\/strong> | Nettuno, L\u2019Ombra di Eutyro<\/em><\/p>\n\n\n\n

Cappella Mediterranea <\/strong>
Ch\u0153ur de chambre de Namur<\/strong>
Ch\u0153ur de l\u2019Op\u00e9ra de Dijon<\/strong>
Thibaut Lenaerts<\/strong> & Anass Ismat<\/strong> | Chefs de ch\u0153ur<\/em>
Avec 8 danseurs acrobates<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Prochaines dates<\/h2>\n\n
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\n 11<\/span>\n Mai<\/span>\n 2027<\/span>\n <\/div>\n\n

\n 20h00 <\/p>\n

Op\u00e9ra de Dijon \u2014 Auditorium<\/p>\n

Dijon, France<\/p>\n

Acc\u00e9der \u00e0 la billetterie<\/p>\n\n <\/a>\n \n

\n 13<\/span>\n Mai<\/span>\n 2027<\/span>\n <\/div>\n\n

\n 20h00 <\/p>\n

Op\u00e9ra de Dijon \u2014 Auditorium<\/p>\n

Dijon, France<\/p>\n

Acc\u00e9der \u00e0 la billetterie<\/p>\n\n <\/a>\n \n

\n 14<\/span>\n Mai<\/span>\n 2027<\/span>\n <\/div>\n\n

\n 20h00 <\/p>\n

Op\u00e9ra de Dijon \u2014 Auditorium<\/p>\n

Dijon, France<\/p>\n

Acc\u00e9der \u00e0 la billetterie<\/p>\n\n <\/a>\n <\/div>\n \n \n<\/section>\n\n\n

\"\"
\u00a9Marine Lanier – Tendance Floue<\/em><\/figcaption><\/figure>\n\n\n\n

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