{"id":14329,"date":"2026-02-27T15:24:20","date_gmt":"2026-02-27T14:24:20","guid":{"rendered":"https:\/\/cappellamediterranea.com\/?post_type=post-concert&#038;p=14329"},"modified":"2026-05-06T17:18:19","modified_gmt":"2026-05-06T15:18:19","slug":"muse-e-sirene","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/muse-e-sirene\/","title":{"rendered":"Muse e Sirene"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/DSC01674-1024x682.jpg\" alt=\"\" class=\"wp-image-15179\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p style=\"line-height:1.3\"><strong>Ce programme met en lumi\u00e8re quatre compositrices majeures du XVII<sup>e<\/sup> si\u00e8cle : Francesca Caccini, Margarita Cozzolani, Barbara Strozzi et Antonia Bembo.<\/strong><\/p>\n\n\n\n<p id=\"viewer-8pqki7534\" style=\"line-height:1.3\">Leur production s\u2019inscrit dans le d\u00e9veloppement de la monodie accompagn\u00e9e et du langage expressif propre au <em>primo Seicento<\/em>, o\u00f9 la rh\u00e9torique musicale, l\u2019attention au texte et la recherche des <em>affetti<\/em> occupent une place centrale.<\/p>\n\n\n\n<p id=\"viewer-i4bf29707\" style=\"line-height:1.3\">L\u2019effectif l\u00e9ger (soprano, deux luths et viole de gambe) est caract\u00e9ristique des pratiques domestiques, couventuelles et de cour. Il met en valeur la ligne vocale comme vecteur principal de l\u2019expression, soutenue par une basse continue souple et nuanc\u00e9e.<\/p>\n\n\n\n<p id=\"viewer-1uvjd7570\" style=\"line-height:1.3\">\u00c0 travers des contextes vari\u00e9s : cour m\u00e9dic\u00e9enne, clo\u00eetre milanais, acad\u00e9mies v\u00e9nitiennes ou cour fran\u00e7aise, ce programme souligne la contribution essentielle de ces compositrices \u00e0 l\u2019esth\u00e9tique baroque et \u00e0 l\u2019affirmation d\u2019une autorit\u00e9 cr\u00e9atrice f\u00e9minine au sein des r\u00e9seaux musicaux europ\u00e9ens du XVII<sup>e<\/sup> si\u00e8cle.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p style=\"line-height:1.6\"><strong>Giulio Caccini<\/strong> \u2013 <em>Amarilli, mia bella<\/em> (2\u2019)<br><strong>Francesca Caccini<\/strong> \u2013 <em>Canzone della sirena<\/em> (<em>La liberazione di Ruggiero<\/em>) (2\u2019)<br><strong>Francesco Cavalli<\/strong> \u2013 <em>L\u2019Eraclito amoroso<\/em> (6\u2019)<br><strong>Francesca Caccini<\/strong> \u2013 <em>Lasciatemi qui solo<\/em> (Lamento) (4\u2019)<br><strong>Antonia Bembo<\/strong> \u2013 <em>M\u2019ingannasti in verit\u00e0<\/em> (1\u201930\u2019\u2019)<br><strong>Francesca Campana<\/strong> \u2013 <em>\u00c8 gi\u00e0 rotto lo strale<\/em> (3\u2019)<br><strong>Luigi Rossi<\/strong> \u2013 <em>Mio core languisce<\/em> (4\u2019)<br><strong>Francesca Caccini<\/strong> \u2013 <em>Chi desia di saper che cosa \u00e8 Amore<\/em> (Canzonetta) (2\u2019)<br><strong>Barbara Strozzi<\/strong> \u2013 <em>Lagrime mie<\/em> (7\u2019)<br><strong>Francesca Caccini<\/strong> \u2013 <em>Non so se quel sorriso<\/em> (Canzonetta) (2\u2019)<br><strong>Domenico Mazzocchi<\/strong> \u2013 <em>Lagrime amare<\/em> (<em>La Maddalena ricorre alle lagrime<\/em>) (4\u201930\u2019)<br><strong>Francesca Caccini<\/strong> \u2013 <em>O che nuovo stupor<\/em> (4\u2019)<br><strong>Antonia Bembo<\/strong> \u2013 <em>Lamento della Vergine<\/em> (9\u2019)<br><strong>Chiara Margarita Cozzolani<\/strong> \u2013 <em>Ave Maria<\/em> (6\u2019)<\/p>\n\n\n\n<p style=\"line-height:1.6\">Dur\u00e9e estim\u00e9e : 1h<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Distribution<\/h2>\n\n\n\n<p style=\"line-height:1.6\"><strong>Mariana Flores<\/strong> \u2014 <em>Soprano<\/em><br><strong>M\u00f3nica Pustilnik<\/strong> \u2014 <em>Archiluth<\/em><br><strong><strong>Quito Gato<\/strong><\/strong> \u2014 <em>Th\u00e9orbe<\/em><br><strong><strong>Margaux Blanchard<\/strong><\/strong> \u2014 <em>Viole de gambe<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<section class=\"container\">\n\n\n\n    \n        <h2 class=\"titre-secondaire-basic\">Prochaines dates<\/h2>\n\n                    <div class=\"liste-concert\">\n                                        <a class=\"card-concert\" href=\"https:\/\/www.musique-meursault.fr\/post\/muse-e-sirene\" target=\"_blank\">\n                            <div class=\"date\">\n                                <span class=\"jour\">06<\/span>\n                                <span class=\"mois\">Juillet<\/span>\n                                <span class=\"annees\">2026<\/span>\n                            <\/div>\n\n                            <p class=\"horaire\">\n                                20h00                            <\/p>\n                            <p class=\"adresse\">Festival de Bach \u00e0 Bacchus \u2014 \u00c9glise Saint-Nicolas<\/p>\n                            <p class=\"pays\">Meursault, France<\/p>\n                            <p class=\"ticket\">Acc\u00e9der \u00e0 la billetterie<\/p>\n\n                        <\/a>\n                                <\/div>\n        \n    \n<\/section>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"Ce programme met en lumi\u00e8re quatre compositrices majeures du XVIIe si\u00e8cle : Francesca Caccini, Margarita Cozzolani, Barbara Strozzi et Antonia Bembo. Leur production s\u2019inscrit dans le d\u00e9veloppement de la monodie accompagn\u00e9e et du langage expressif propre au primo Seicento, o\u00f9 la rh\u00e9torique musicale, l\u2019attention au texte et la recherche des affetti occupent une place centrale. [&hellip;]","protected":false},"featured_media":15179,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[44],"class_list":["post-14329","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-concerts-en-petite-formation"],"acf":{"concerts":[{"date":"2026-07-06 20:00:00","lieu":"Meursault, France","salle_de_concert":"Festival de Bach \u00e0 Bacchus \u2014 \u00c9glise Saint-Nicolas","lien_de_la_billetterie":"https:\/\/www.musique-meursault.fr\/post\/muse-e-sirene"}]},"_links":{"self":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/14329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":5,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/14329\/revisions"}],"predecessor-version":[{"id":15182,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/post-concert\/14329\/revisions\/15182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media\/15179"}],"wp:attachment":[{"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/media?parent=14329"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/tags?post=14329"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/cappellamediterranea.com\/en\/wp-json\/wp\/v2\/categorie-production?post=14329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}