{"id":12146,"date":"2025-05-09T18:35:36","date_gmt":"2025-05-09T16:35:36","guid":{"rendered":"https:\/\/cappellamediterranea.com\/production\/bembo-ercole-amante\/"},"modified":"2026-05-27T09:21:10","modified_gmt":"2026-05-27T07:21:10","slug":"bembo-ercole-amante","status":"publish","type":"post-concert","link":"https:\/\/cappellamediterranea.com\/en\/production\/bembo-ercole-amante\/","title":{"rendered":"Bembo, Ercole Amante"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/13042026_Conf-presse-manuscrit-Bembo_cFrancois-de-Maleissye_Cappella-Mediterranea_DSC01547-copie-1024x731.jpg\" alt=\"\" class=\"wp-image-15235\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/13042026_Conf-presse-manuscrit-Bembo_cFrancois-de-Maleissye_Cappella-Mediterranea_DSC01547-copie-1024x731.jpg 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/13042026_Conf-presse-manuscrit-Bembo_cFrancois-de-Maleissye_Cappella-Mediterranea_DSC01547-copie-300x214.jpg 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/13042026_Conf-presse-manuscrit-Bembo_cFrancois-de-Maleissye_Cappella-Mediterranea_DSC01547-copie-768x549.jpg 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/13042026_Conf-presse-manuscrit-Bembo_cFrancois-de-Maleissye_Cappella-Mediterranea_DSC01547-copie.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left\">&#8221; <em>Not familiar with this opera by Antonia Bembo? No wonder: it&#8217;s never been performed, and its score sat untouched in the BNF until the Paris Opera entrusted it to conductor Leonardo Garc\u00eda-Alarc\u00f3n for its world premiere. <\/em> &#8220;<\/p>\n\n\n\n<figure class=\"wp-block-image alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"372\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Telerama_logo-1024x372.png\" alt=\"\" class=\"wp-image-9807\" style=\"width:88px;height:auto\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Telerama_logo-1024x372.png 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Telerama_logo-300x109.png 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Telerama_logo-768x279.png 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Telerama_logo-1536x558.png 1536w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Telerama_logo.png 1870w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left\">Eight years after the success of <em>Les Indes galantes<\/em>, <strong>Leonardo Garc\u00eda-Alarc\u00f3n and Cappella Mediterranea return to the Op\u00e9ra de Paris<\/strong> with a nugget: a score by Antonia Bembo, an 18<sup>th<\/sup>-century composer whose tumultuous life resembles a novel. Fuyant un mari violent, cette V\u00e9nitienne trouve refuge \u00e0 la cour de Louis XIV, sous la protection du roi. En France, elle d\u00e9veloppe un style personnel, entre culture italienne et fran\u00e7aise, et compose en 1707 <em>Ercole amante<\/em>, reprenant un livret jadis mis en musique par son ma\u00eetre Francesco Cavalli. Jamais encore mis en sc\u00e8ne, cet <em>Hercule amoureux<\/em>, \u00e0 l\u2019harmonie originale et \u00e0 la grande virtuosit\u00e9 vocale, entre au r\u00e9pertoire de l\u2019Op\u00e9ra de Paris. Netia Jones s\u2019empare de cette \u0153uvre baroque peupl\u00e9e de dieux et d\u2019\u00e9l\u00e9ments surnaturels pour en r\u00e9v\u00e9ler la modernit\u00e9 : celle d\u2019un homme puissant, vieillissant, incapable d\u2019accepter le refus d\u2019une femme.   <\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Synopsis<\/h2>\n\n\n\n<p>In a wood, Hercules laments: having vanquished so many monsters, he is distraught over his love for Iole, fianc\u00e9e of his own son, Hyllus. Venus tries to help him by bewitching Iole, but Juno intervenes and, with the help of Sleep, plunges Hercules into a deep sleep. Iole moves in to kill him, but Hyllus stops her. Awakened, Hercules believes his son guilty of treason and wants to have him executed. He is appeased by the pleas of D\u00e9janire and, above all, Iole, who agrees to give herself to him. Hyllus is spared, but imprisoned, and D\u00e9janire forced into exile. Locked in a tower surrounded by waves, Hyllus, desperate to see Iole marry his father, tries to drown himself, but Juno saves him. As D\u00e9janire and Iole mourn their loss &#8211; one her son, the other her lover &#8211; page Lychas reminds D\u00e9janire of the existence of a tunic impregnated with the blood of the centaur Nessus, supposed to rekindle her husband&#8217;s love. Iole gives it to Hercules as a wedding present. As soon as he puts it on, it burns him horribly. Mad with grief, Hercules throws himself into the inferno. Dejanira mourns his death, Iole that of Hyllus&#8230; until the latter reappears, accompanied by Juno: she has saved the son from the waters and transported the father to heaven, now united with Beauty.           <br\/><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LEONARDO GARC\u00cdA ALARC\u00d3N about ERCOLE AMANTE (interview)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/wetVthCu5xQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Program<\/h2>\n\n\n\n<p><em>Tragedy in five acts &#8211;<\/em> Music by Antonia Bembo (c. 1640 &#8211; c. 1720) to a libretto by Francesco Buti (1604 &#8211; 1682)<\/p>\n\n\n\n<p>Inspired by Sophocles&#8217; <em>Les Trachiniennes<\/em> and Book IX of Ovid&#8217;s <em>Metamorphoses<\/em><\/p>\n\n\n\n<p><em>Diapason 415 Hz<br\/><\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Cast<\/h2>\n\n\n\n<p><strong>Leonardo Garc\u00eda-Alarc\u00f3n<\/strong> | Musical direction<br\/><strong>Netia Jones<\/strong> | <em>Stage direction<\/em><br\/><strong>Maud Le Pladec<\/strong> | <em>Choreography<\/em><br\/><strong>Fabi\u00e1n Schofrin<\/strong> | <em>Dramaturgy<\/em><br\/><strong>Thibaut Lenaerts<\/strong> | <em>Choirmaster<\/em><strong><br\/><\/strong><br\/><strong>Andreas<\/strong> <strong>Wolf<\/strong> | <em>Ercole<\/em><br\/><strong>Ana Vieira Leite<\/strong> | <em>Iole<\/em><br\/><strong>Deepa Johnny<\/strong> | <em>Dejanira<\/em><br\/><strong>Julie Fuchs<\/strong> | <em>Giunone Pronubea<\/em><br\/><strong>Sandrine Piau<\/strong> | <em>Venere<\/em> \/ <em>Bellezza<\/em><br\/><strong>Alasdair Kent<\/strong> | <em>Hyllo<\/em><br\/><strong>Th\u00e9o Imart<\/strong> | <em>Paggio<\/em><br\/><strong>Marcel Beekman<\/strong> | <em>Licco<\/em><br\/><strong>Teona Todua<\/strong> | <em>Pasithea<\/em><br\/><strong>Alex Rosen<\/strong> | <em>Nettuno<\/em> \/ <em>L\u2019Ombra di Eutyro<\/em><\/p>\n\n\n\n<p><strong>Cappella Mediterranea<br\/>Ch\u0153ur de Chambre de Namur<\/strong><\/p>\n<\/div>\n<\/div>\n\n<section class=\"container\">\n\n\n\n    \n        <h2 class=\"titre-secondaire-basic\">Prochaines dates<\/h2>\n\n        \n            <div class=\"swiper-card-concert-current\">\n                <div class=\"swiper-wrapper\">\n                                                <a class=\"card-concert swiper-slide\" href=\"https:\/\/www.operadeparis.fr\/saison-25-26\/opera\/ercole-amante#calendar\" target=\"_blank\">\n                                <div class=\"date\">\n                                    <span class=\"jour\">09<\/span>\n                                    <span class=\"mois\">Juin<\/span>\n                                    <span class=\"annees\">2026<\/span>\n                                <\/div>\n\n                                <p class=\"horaire\">\n                                    19h30                                <\/p>\n                                <p class=\"adresse\">Op\u00e9ra Bastille<\/p>\n                                <p class=\"pays\">Paris, France<\/p>\n                                <p class=\"ticket\">Acc\u00e9der \u00e0 la billetterie<\/p>\n\n                            <\/a>\n                                                    <a class=\"card-concert swiper-slide\" href=\"https:\/\/www.operadeparis.fr\/saison-25-26\/opera\/ercole-amante#calendar\" target=\"_blank\">\n                                <div class=\"date\">\n                                    <span class=\"jour\">12<\/span>\n                                    <span class=\"mois\">Juin<\/span>\n                                    <span class=\"annees\">2026<\/span>\n                                <\/div>\n\n                                <p class=\"horaire\">\n                                    19h30                                <\/p>\n                                <p class=\"adresse\">Op\u00e9ra Bastille<\/p>\n                                <p class=\"pays\">Paris, France<\/p>\n                                <p class=\"ticket\">Acc\u00e9der \u00e0 la billetterie<\/p>\n\n                            <\/a>\n                                                    <a class=\"card-concert swiper-slide\" href=\"https:\/\/www.operadeparis.fr\/saison-25-26\/opera\/ercole-amante#calendar\" target=\"_blank\">\n                                <div class=\"date\">\n                                    <span class=\"jour\">14<\/span>\n                                    <span class=\"mois\">Juin<\/span>\n                                    <span class=\"annees\">2026<\/span>\n                                <\/div>\n\n                                <p class=\"horaire\">\n                                    14h30                                <\/p>\n                                <p class=\"adresse\">Op\u00e9ra Bastille<\/p>\n                                <p class=\"pays\">Paris, France<\/p>\n                                <p class=\"ticket\">Acc\u00e9der \u00e0 la billetterie<\/p>\n\n                            <\/a>\n                                        <\/div>\n            <\/div>\n\n            <div class=\"nav-swipper-concert-current\">\n                <div class=\"swiper-card-concert-current-button-prev\"><\/div>\n                <div class=\"swiper-card-concert-current-button-next\"><\/div>\n            <\/div>\n        \n    \n<\/section>\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h2 class=\"wp-block-heading\">The manuscript<\/h2>\n\n\n\n<p class=\"has-text-align-left\">The manuscript of Ercole amante by Antonia Bembo, preserved by the Biblioth\u00e8que nationale de France, is accessible to everyone on Gallica:<\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div style=\"padding: 0; padding-bottom: 105%; position: relative; display: block; height: 0;\"><iframe style=\"position: absolute;  top: 0; bottom: 0; left: 0; width: 100%; height: 100%; border: 0;\" src=\"https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b10511128g\/f7.item.mini\"><\/iframe><\/div>\n<\/div>\n<\/div>\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\">Partners<\/h2>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"168\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/\/Version-noire-3-1024x168.png\" alt=\"\" class=\"wp-image-13074\" style=\"width:335px;height:auto\" srcset=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Version-noire-3-1024x168.png 1024w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Version-noire-3-300x49.png 300w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Version-noire-3-768x126.png 768w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Version-noire-3-1536x251.png 1536w, https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Version-noire-3-2048x335.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\">Vid\u00e9os<\/h2>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ercole amante \u2014 d\u00e9but des r\u00e9p\u00e9titions\" width=\"422\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/7fIZ9AbtPCw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dessine-moi ERCOLE AMANTE | 1 minute pour comprendre l&#039;intrigue\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qcBxDsZjr5A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ercole amante \u2014 Arriv\u00e9e du continuo\" width=\"422\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/q8MUag6gfr4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n    <section class=\"container album\">\n        <div class=\"full-bg-album\"><\/div>\n\n        \n            <div class=\"content-album\">\n\n                <h2>R\u00e9p\u00e9titions \u00e0 Bastille<\/h2>\n\n                                <div class=\"content-jacket\">\n                    <img decoding=\"async\" class=\"jacket\" data-album=\"galerie-album-0\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/05052026_Repetition-continuo_BembocFrancois-de-Maleissye_Cappella-Mediterranea_DSC09976.jpg\" alt=\"\" \/>\n                <\/div>\n                \n                <div class=\"galerie-album galerie-album-0\">\n                    <div class=\"header-close\">\n                        <div class=\"btn-close\"><\/div>\n                    <\/div>\n                    <div class=\"swiper-album\">\n                        <div class=\"swiper-wrapper\">\n\n                                                            <div class=\"swiper-slide\">\n                                    <img decoding=\"async\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/14042026_Musicale_BembocFrancois-de-Maleissye_Cappella-Mediterranea_DSC09555.jpg\"   title=\"14042026_Musicale_Bembo(c)Francois de Maleissye_Cappella Mediterranea_DSC09555\"  loading=\"lazy\">\n                                    <div class=\"description\"><\/div>\n                                <\/div>\n                                                            <div class=\"swiper-slide\">\n                                    <img decoding=\"async\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/Newsletter-12-mai-2026.png\"   title=\"Newsletter 12 mai 2026\"  loading=\"lazy\">\n                                    <div class=\"description\"><\/div>\n                                <\/div>\n                                                            <div class=\"swiper-slide\">\n                                    <img decoding=\"async\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/05052026_Repetition-continuo_BembocFrancois-de-Maleissye_Cappella-Mediterranea_DSC00154.jpg\"   title=\"05052026_Re\u0301pe\u0301tition continuo_Bembo(c)Francois de Maleissye_Cappella Mediterranea_DSC00154\"  loading=\"lazy\">\n                                    <div class=\"description\"><\/div>\n                                <\/div>\n                                                            <div class=\"swiper-slide\">\n                                    <img decoding=\"async\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/04052026_Repetition-continuo_BembocFrancois-de-Maleissye_Cappella-Mediterranea_DSC09843.jpg\"   title=\"04052026_Re\u0301pe\u0301tition continuo_Bembo(c)Francois de Maleissye_Cappella Mediterranea_DSC09843\"  loading=\"lazy\">\n                                    <div class=\"description\"><\/div>\n                                <\/div>\n                                                            <div class=\"swiper-slide\">\n                                    <img decoding=\"async\" src=\"https:\/\/cappellamediterranea.com\/wp-content\/uploads\/05052026_Repetition-continuo_BembocFrancois-de-Maleissye_Cappella-Mediterranea_DSC09976.jpg\"   title=\"05052026_Re\u0301pe\u0301tition continuo_Bembo(c)Francois de Maleissye_Cappella Mediterranea_DSC09976\"  loading=\"lazy\">\n                                    <div class=\"description\">Leonardo Garc\u00eda-Alarc\u00f3n et Sandrine Piau<\/div>\n                                <\/div>\n                            \n                        <\/div>\n                    <\/div>\n                    <div class=\"navigation-album\">\n                        <div class=\"swiper-album-button-prev\"><\/div>\n                        <div class=\"swiper-album-button-next\"><\/div>\n                    <\/div>\n                <\/div>\n\n            <\/div>\n\n            <\/section>\n\n","protected":false},"excerpt":{"rendered":"Eight years after the success of Les Indes galantes, Leonardo Garc\u00eda-Alarc\u00f3n and Cappella Mediterranea return to the Paris Op\u00e9ra with a nugget: a score by Antonia Bembo, an 18th-century composer whose tumultuous life resembles a 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