{"id":982,"date":"2023-03-07T14:16:24","date_gmt":"2023-03-07T13:16:24","guid":{"rendered":"https:\/\/cappellamediterranea.com\/leonardo-garcia-alarcon\/"},"modified":"2024-08-30T12:38:45","modified_gmt":"2024-08-30T10:38:45","slug":"leonardo-garcia-alarcon","status":"publish","type":"page","link":"https:\/\/cappellamediterranea.com\/en\/leonardo-garcia-alarcon\/","title":{"rendered":"Leonardo Garc\u00eda-Alarc\u00f3n"},"content":{"rendered":"\n\n\n\n
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\n \"LEONARDO\n <\/span>\n <\/div>\n
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Leonardo
\nGarc\u00eda-Alarc\u00f3n<\/strong><\/span><\/h1>\n

CONDUCTOR<\/strong><\/h2>\n <\/div>\n
\n

“Like certain physicists, I believe that time does not exist and music allows us to resurrect the souls of composers.”
\nLeonardo Garc\u00eda-Alarc\u00f3n<\/em><\/strong><\/p>\n

Leonardo Garc\u00eda-Alarc\u00f3n is a harpsichordist, conductor, choirmaster and composer, who also has vast experience in opera. He sets himself apart with his in-depth knowledge of the repertoire, as well as the genius and audacity of his interpretations, as he constantly strives to rekindle the elemental force of music and transmit emotion.<\/p>\n

***<\/p>\n

\u201cAbove all, he is a great conduit of emotion. He has many identities and is at once a learned musicologist and a showman. He can elicit the enthusiasm of an entire hall with the most varied repertoire, from a street dance version of Indes Galantes<\/em> to the St. Matthew Passion<\/em>.\u201d
\nCharles Sigel<\/em><\/strong> for Forumopera in June 2022<\/em><\/p>\n

\u201cRarely have I met a conductor who is as interested in theatre, dramaturgy, schools of thought, and the relationship between music and text.\u201d
\nJean-Yves Ruf<\/em><\/strong>, stage director<\/em><\/p>\n

\n\n <\/div>\n <\/div>\n\n <\/section>\n\n\n\n

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News about Leonardo Garc\u00eda-Alarc\u00f3n<\/h2>\n <\/section>\n\n \n \n \n <\/p>\n \n \n \n \n \n \n\n\n
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Concert schedule<\/h2>\n <\/section>\n\n
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\n Avril 2026 <\/div>\n
\n Mai 2026 <\/div>\n <\/div>\n\n
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\n \n \"\"\n
\n \n <\/div>\n

\n 19h30 <\/p>\n

De Doelen (Grand Hall)<\/p>\n

Rotterdam, Netherlands<\/p>\n

Bach, St Matthew Passion<\/h3>\n

Leonardo Garc\u00eda Alarc\u00f3n – guest conductor<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

De Doelen (Grand Hall)<\/p>\n

Rotterdam, Netherlands<\/p>\n

Bach, St Matthew Passion<\/h3>\n

Leonardo Garc\u00eda Alarc\u00f3n – guest conductor<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

De Doelen (Grand Hall)<\/p>\n

Rotterdam, Netherlands<\/p>\n

Bach, St Matthew Passion<\/h3>\n

Leonardo Garc\u00eda Alarc\u00f3n – guest conductor<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h00 <\/p>\n

Grand Man\u00e8ge – Namur Concert Hall<\/p>\n

Namur, Belgique<\/p>\n

Rameau, Castor et Pollux<\/h3>\n

Op\u00e9ra en version de concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 15h00 <\/p>\n

Op\u00e9ra Royal<\/p>\n

Versailles, France<\/p>\n

Rameau, Castor et Pollux<\/h3>\n

Op\u00e9ra en version de concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 20h00 <\/p>\n

Elbphilharmonie<\/p>\n

Hamburg, Germany <\/p>\n

Monteverdi, l’Orfeo<\/h3>\n

Opera in concert version<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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\n Mai 2026 <\/div>\n
\n Juin 2026 <\/div>\n <\/div>\n\n
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\n \n \"\"\n
\n \n <\/div>\n

\n 19h30 <\/p>\n

Palau Fronteras – Palau de la M\u00fasica Orfe\u00f3 Catal\u00e0<\/p>\n

Barcelona, Spain<\/p>\n

Mediterr\u00e1neo<\/h3>\n

Small-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

Op\u00e9ra Bastille – Preview<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

Op\u00e9ra Bastille<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

Op\u00e9ra Bastille<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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\n Juin 2026 <\/div>\n
\n Juillet 2026 <\/div>\n <\/div>\n\n
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\n \n \"\"\n
\n \n <\/div>\n

\n 19h30 <\/p>\n

Op\u00e9ra Bastille<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

Op\u00e9ra Bastille<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 18h00 <\/p>\n

Chiesa di Sant’Agostino – Festival Monteverdi<\/p>\n

Cremona, Italy<\/p>\n

Monteverdi, Vespro della Beata Vergine<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

Op\u00e9ra Bastille<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

Op\u00e9ra Bastille<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 14h30 <\/p>\n

Op\u00e9ra Bastille<\/p>\n

Paris, France<\/p>\n

Bembo, Ercole Amante<\/h3>\n

Opera<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 20h00 <\/p>\n

Grand Man\u00e8ge – Namur Concert Hall<\/p>\n

Namur, Belgium<\/p>\n

Roma<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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\n Juillet 2026 <\/div>\n
\n Aout 2026 <\/div>\n <\/div>\n\n
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\n \n \"\"\n
\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h00 <\/p>\n

Victoria Hall<\/p>\n

Geneva, Switzerland<\/p>\n

Rebirth<\/h3>\n

Recital<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 21h30 <\/p>\n

Th\u00e9\u00e2tre de l’Archev\u00each\u00e9<\/p>\n

Festival d’Aix-en-Provence<\/p>\n

Mozart, La Fl\u00fbte enchant\u00e9e<\/h3>\n

Op\u00e9ra<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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\n Aout 2026 <\/div>\n
\n Septembre 2026 <\/div>\n <\/div>\n\n
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\n \n \"Mariana\n
\n \n <\/div>\n

\n 11h00 <\/p>\n

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<\/p>\n

Alfonsina, Mariana Flores<\/h3>\n

Les solistes de Cappella Mediterranea<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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\n Septembre 2026 <\/div>\n
\n Octobre 2026 <\/div>\n <\/div>\n\n
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\n \n \"Draghi,\n
\n \n <\/div>\n

\n 17h00 <\/p>\n

Festival d’Ambronay<\/p>\n

Ambronay<\/p>\n

Draghi, Il Dono della vita eterna<\/h3>\n

Concert en grand effectif<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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\n Octobre 2026 <\/div>\n
\n Novembre 2026 <\/div>\n <\/div>\n\n
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\n \n \"\"\n
\n \n <\/div>\n

\n 19h00 <\/p>\n

K\u00f4olner Philharmonie<\/p>\n

Cologne, Germany<\/p>\n

Les Indes Galantes – De la voix des \u00e2mes<\/h3>\n

Opera in concert version<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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\n Novembre 2026 <\/div>\n
\n Decembre 2026 <\/div>\n <\/div>\n\n
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Pas de concerts ce mois-ci<\/p>\n <\/div>\n \n <\/div>\n

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\n
\n
\n Decembre 2026 <\/div>\n
\n janvier 2027 <\/div>\n <\/div>\n\n
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\n
\n \n \"\"\n
\n \n <\/div>\n

\n 20h00 <\/p>\n

K\u00f6lner Philharmonie<\/p>\n

Cologne, Germany<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h00 <\/p>\n

<\/p>\n

<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

<\/p>\n

<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

<\/p>\n

<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 20h00 <\/p>\n

<\/p>\n

<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

<\/p>\n

<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 14h15 <\/p>\n

<\/p>\n

<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n \n \"\"\n

\n \n <\/div>\n

\n 19h30 <\/p>\n

<\/p>\n

<\/p>\n

Bach, Christmas Oratorio<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n

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Pas de concerts ce mois-ci<\/p>\n <\/div>\n \n <\/div>\n

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Pas de concerts ce mois-ci<\/p>\n <\/div>\n \n <\/div>\n

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\n 19h30 <\/p>\n

Concertgebouw<\/p>\n

Amsterdam, Netherlands<\/p>\n

Bach, St Matthew Passion<\/h3>\n

Leonardo Garc\u00eda Alarc\u00f3n – guest conductor<\/p>\n <\/a>\n \n \"\"\n

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\n 12h00 <\/p>\n

Concertgebouw<\/p>\n

Amsterdam, Netherlands<\/p>\n

Bach, St Matthew Passion<\/h3>\n

Leonardo Garc\u00eda Alarc\u00f3n – guest conductor<\/p>\n <\/a>\n \n \"\"\n

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\n 20h00 <\/p>\n

Philharmonie de Paris – Grande salle Pierre Boulez<\/p>\n

Paris, France<\/p>\n

Bach, St Matthew Passion<\/h3>\n

Large-scale concert<\/p>\n <\/a>\n <\/div>\n <\/div>\n \n <\/div>\n \n <\/div>\n <\/div>\n<\/section>\n\n\n\n\n\n\n\n

Timeline<\/h2>\n\n\n\n
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1976<\/p>\n

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Leonardo Garc\u00eda-Alarc\u00f3n is born in La Plata, Argentina.<\/p>\n <\/div>\n\n \n

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1995<\/p>\n

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He arrives Geneva to enroll in harpsichordist Christiane Jaccottet\u2019s class at the Conservatoire de Musique.<\/p>\n <\/div>\n\n \n

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2005<\/p>\n

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He founds the Cappella Mediterranea ensemble.<\/p>\n <\/div>\n\n \n

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2005<\/p>\n

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He is appointed instructor of Maestro al Cembalo at Geneva\u2019s Haute \u00c9cole de Musique.<\/p>\n <\/div>\n\n \n

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2010<\/p>\n

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He becomes conductor of the Ch\u0153ur de chambre de Namur.<\/p>\n <\/div>\n\n \n

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2010<\/p>\n

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He records Michelangelo Falvetti\u2019s unforgettable oratorio, Il Diluvio universale, at the Festival d’Ambronay.<\/p>\n <\/div>\n\n \n

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2013<\/p>\n

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He presents Francesco Cavalli\u2019s Elena at Festival d\u2019Aix-en-Provence to great critical acclaim, marking the beginning of numerous opera productions.<\/p>\n <\/div>\n\n \n

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2017<\/p>\n

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He acquires Swiss nationality.<\/p>\n <\/div>\n\n \n

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2018<\/p>\n

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He composes the missing third act of Antonio Draghi\u2019s opera, El Prometeo.<\/p>\n <\/div>\n\n \n

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2019<\/p>\n

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He is named Forum Opera\u2019s top conductor of the year after triumphantly directing Jean-Philippe Rameau\u2019s Indes Galantes at Paris\u2019 Op\u00e9ra Bastille.<\/p>\n <\/div>\n\n \n

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2021<\/p>\n

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Release of his Orfeo recording, which is lauded by critics as the new benchmark for recordings of Monteverdi\u2019s masterpiece.<\/p>\n <\/div>\n\n \n

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2022<\/p>\n

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He conducts Lully\u2019s acclaimed Atys in Geneva and Versailles, in a production staged and choreographed by Angelin Preljocaj. <\/p>\n <\/div>\n\n \n

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2022<\/p>\n

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He composes and directs La Passione di Ges\u00f9, an oratorio inspired by the Gospel of Judas, the remnants of which are conserved at the Fondation Martin Bodmer in Cologny.<\/p>\n <\/div>\n\n <\/div>\n <\/div>\n

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Activities<\/h2>\n <\/section>\n\n
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Cappella Mediterranea<\/span><\/h3>\n

This ensemble founded by Leonardo Garc\u00eda-Alarc\u00f3n in 2005 explores a vast repertoire ranging from baroque music to Argentine tango.<\/p>\n <\/a>\n \n \"\"\n

La Cit\u00e9 Bleue<\/span><\/h3>\n

In 2021, Leonardo Garc\u00eda-Alarc\u00f3n took over as director of La Cit\u00e9 Bleue, a 300-seat concert venue in Geneva that is currently being renovated. Set to open in 2024, its programming already began in 2023, with an initial season off-site.<\/p>\n <\/a>\n \n \"\"\n

Ch\u0153ur de Chambre de Namur<\/span><\/h3>\n

Leonardo Garc\u00eda-Alarc\u00f3n took over this highly acclaimed vocal group in 2010. The choir collaborates with Cappella Mediterranea and the Millenium orchestra in a wide range of musical projects, including operas, spatial music concerts and more intimate formats.<\/p>\n <\/a>\n <\/div>\n<\/section>\n\n\n\n

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Teaching activities<\/h4>\n\n\n\n

For Leonardo Garc\u00eda-Alarc\u00f3n, transmitting knowledge and music is of the utmost importance. Despite an extremely busy schedule, he continues to teach Maestro al Cembalo at Geneva\u2019s Haute \u00c9cole de Musique, a position he has held for over 20 years. He encourages his ensembles to continue to evolve through tailor-made programmes for schools, community centres and hospitals. He enjoys interacting directly with audiences at pre-concert events and sees digital technology as an invaluable tool that can facilitate access to his concerts and the educational content he produces, which includes lectures, documentaries, and other resources.<\/p>\n<\/div>\n\n\n\n

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Guest conductor<\/h4>\n\n\n\n

Leonardo Garcia-Alarc\u00f3n is regularly invited to direct the most prestigious orchestras on stages all over the world. For instance, he has conducted the Orchestre Philharmonique de Radio France, the Accentus chamber choir and Laurence Equilbey’s Insula Orchestra. He is a regular guest at Les Violons du Roy (Montreal), the Gulbenkian Orchestra & Choir (Lisbon), and, more recently, Vocalconsort Berlin and the Freiburger Barockorchester in Sasha Waltz\u2019s production of Orfeo<\/em>.\u00a0 Last season, he conducted the Amsterdam Concertgebouw Orchestra in Pierre Audi’s production of Acis and Galatea<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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BIOGRAPHIE<\/h2>\r\nApr\u00e8s avoir \u00e9tudi\u00e9 le piano en Argentine, Leonardo Garc\u00eda Alarc\u00f3n s\u2019installe en Europe en 1997 et int\u00e8gre le Conservatoire de Gen\u00e8ve dans la classe de la claveciniste Christiane Jaccottet. C\u2019est sous l\u2019\u00e9gide de Gabriel Garrido qu\u2019il se lance dans l\u2019aventure baroque… <\/div>\n
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\n \n <\/span>\n <\/span>\n <\/a>\n \n Portraits LGA – pose\u0301s<\/span>\n <\/span>\n <\/a>\n \n Portraits LGA – en action<\/span>\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n<\/section>\n\n\n
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